Add to ORKGThe work is based on functioning of costume in dramatic space. Practical part brings the costume concept for drama by Heinrich von Kleist "Catherine von Heilbronn", meant for stage of Theatre Archa. Theoretical part is searching for connections between costume as object and parallel tendencies in plastic Arts, as well as in other branches of Arts. This work relates to Arte Povera, action scenography, question of imagination, scenic object, dramatic space and Fetish
Paul Klee frequently composed his images as theatrical spaces containing depictions of characters an...
I wrote this paper to challenge the way costume design is taught and debated. Conventional design te...
Costumes greatly influence an audience\u27s perception of character, setting, and atmosphere in any ...
The aim of the research is to systematize and define the scenic costume in the context of contempora...
Theater as a form of cognition of the phenomenon of man and society is of interest to researchers in...
This dissertation examines the representations of the body in the completed dramatic works of Heinri...
The thesis compares the creation process of film and theatrical liturgical costume with regard to lo...
In my bachelor´s the Costumes in Puppet Theatre, I amattempting to categorize different types of cos...
The purpose of work is to explicate the opportunities of dramatic approach of I. Hoffman to analyse ...
Abstract: This article seeks to find possible forms of scenic creations originating from the crossin...
This work represents a process of a search of a relationship to the theatre mask and costume, it is ...
The purpose of the article is to systematically study the creative process of costume design and the...
This work is aiming to show costume designing as an essential artistic field of today which surpasse...
In my final Master´s thesis I focus on the costume´s progress from the basic habitus function. There...
Today, even if the valorisation of the costume for stage and screen seems to be widespread, its know...
Paul Klee frequently composed his images as theatrical spaces containing depictions of characters an...
I wrote this paper to challenge the way costume design is taught and debated. Conventional design te...
Costumes greatly influence an audience\u27s perception of character, setting, and atmosphere in any ...
The aim of the research is to systematize and define the scenic costume in the context of contempora...
Theater as a form of cognition of the phenomenon of man and society is of interest to researchers in...
This dissertation examines the representations of the body in the completed dramatic works of Heinri...
The thesis compares the creation process of film and theatrical liturgical costume with regard to lo...
In my bachelor´s the Costumes in Puppet Theatre, I amattempting to categorize different types of cos...
The purpose of work is to explicate the opportunities of dramatic approach of I. Hoffman to analyse ...
Abstract: This article seeks to find possible forms of scenic creations originating from the crossin...
This work represents a process of a search of a relationship to the theatre mask and costume, it is ...
The purpose of the article is to systematically study the creative process of costume design and the...
This work is aiming to show costume designing as an essential artistic field of today which surpasse...
In my final Master´s thesis I focus on the costume´s progress from the basic habitus function. There...
Today, even if the valorisation of the costume for stage and screen seems to be widespread, its know...
Paul Klee frequently composed his images as theatrical spaces containing depictions of characters an...
I wrote this paper to challenge the way costume design is taught and debated. Conventional design te...
Costumes greatly influence an audience\u27s perception of character, setting, and atmosphere in any ...