Comparing of work music director´s of clasical and contemporary popular music

This thesis deals with the role of the music director in the process of producing music recordings. I thing above all about the work procedures during music recording of two different areas in contemporary music world, it means classical music and contemporary popular music and conditions and habits of music diretor´s work which results from them. My aim isn´t a strict limitation between these two areas which according to my opinion aren´t strictly given but I think about and follow some distinct differences in approach to making recording and I think of the role of the music director as itself