The paper deals with the oddities and peculiarities of critical history of a bronze bust representing Francesco del Nero (1487−1563), papal treasurer in the pontificate of Clement VII de Medici. Formerly in the Kaiser-Friedrich-Museum, Berlin, and long considered lost in the fire of Friedrichshain bunker in May 1945, it has recently been officially rediscovered in the Pushkin Museum, Moscow, in custody there since 1946. The bronze effigy of Francesco del Nero repeats a marble image of the same sitter on his tomb in Santa Maria Minerva, Rome, thus raising the question of a copy and of the original. Also, several plaster casts and even bronze copies are known to exist. The dramatic history of the bust, acquired in 1895 for Berlin Museums by...
This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Jou...
The dissertation deals with the collection of Italian illuminated cuttings preserved at the Kupferst...
This paper synthesizes in a very abbreviated form the results of my fellowships at the Italian Acade...
The paper deals with the oddities and peculiarities of critical history of a bronze bust representin...
This article examines in detail a small bronze tablet belonging to the collection of the Museo Provi...
Among the many marble portrait busts executed by the Ferrarese sculptor Alfonso Lombardi (c. 1497 - ...
Late antique marble sculpture in Aquileia, copious but generally poorly preserved, offers a number o...
Cardinal Alessandro Orsini is principally characterized by his passion for science and interest in t...
The essay consists of two sections which, although they can be read independently, are nevertheless ...
This article reassesses artistic production in Rome at the time of the temporary return of Pope Urba...
It was supposedly during the excavations of the ruins of Hadrian’s Villa at Tivoli that the architec...
The article presents an unknown portrait of the sculptor Antonio Dal Zotto (1841-1918), by the Ameri...
The National Archeological Museum in Venice preserves numerous Roman sculpture portraits that may be...
After Umberto Boccioni’s death in 1916 one of his most famous works, the plaster sculpture Unique Fo...
The various sculpted busts of Ottavio Farnese (1524–86), duke of Parma and Piacenza, are still at th...
This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Jou...
The dissertation deals with the collection of Italian illuminated cuttings preserved at the Kupferst...
This paper synthesizes in a very abbreviated form the results of my fellowships at the Italian Acade...
The paper deals with the oddities and peculiarities of critical history of a bronze bust representin...
This article examines in detail a small bronze tablet belonging to the collection of the Museo Provi...
Among the many marble portrait busts executed by the Ferrarese sculptor Alfonso Lombardi (c. 1497 - ...
Late antique marble sculpture in Aquileia, copious but generally poorly preserved, offers a number o...
Cardinal Alessandro Orsini is principally characterized by his passion for science and interest in t...
The essay consists of two sections which, although they can be read independently, are nevertheless ...
This article reassesses artistic production in Rome at the time of the temporary return of Pope Urba...
It was supposedly during the excavations of the ruins of Hadrian’s Villa at Tivoli that the architec...
The article presents an unknown portrait of the sculptor Antonio Dal Zotto (1841-1918), by the Ameri...
The National Archeological Museum in Venice preserves numerous Roman sculpture portraits that may be...
After Umberto Boccioni’s death in 1916 one of his most famous works, the plaster sculpture Unique Fo...
The various sculpted busts of Ottavio Farnese (1524–86), duke of Parma and Piacenza, are still at th...
This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Jou...
The dissertation deals with the collection of Italian illuminated cuttings preserved at the Kupferst...
This paper synthesizes in a very abbreviated form the results of my fellowships at the Italian Acade...