This research focuses on Russian musical life in the Soviet Era, beginning in the Bolshevik Revolution in 1917, to the death of the Joseph Stalin in 1953. Much of the information is taken from books written by Russian authors who attempt to take this massive cultural and political change from the perspective of both the artist and the everyday citizen in Russia. The purpose of this project is to show how governmental reforms change musical life in Russia, and how composers and performers alike adapted to that change
The dissertation is a study of two aspects of musical creativity in the city of Leningrad during the...
Music in Russia was seen as a powerful means of developing the mode of thinking and an understanding...
This project provides a look into Soviet Russia during the years of 1917 to 1937 through the life an...
This research focuses on Russian musical life in the Soviet Era, beginning in the Bolshevik Revoluti...
This dissertation examines the role of music and musical culture in broader patterns of cultural tra...
The period immediately following the Russian Revolution in 1917 was characterised by an upsurge in a...
The politicization of musical life in Stalin's Russia is a subject which has attracted a great deal ...
This dissertation is an historical, stylistic, and sociological analysis of new Russian music from t...
This study explores Russian thought about music in thirty-five years leading up to the establishment...
According to Stalin, Soviet music was to be "an art national in form and socialist in content." The ...
Soviet cultural politics was completely determined in the 1930s and remained unchangeable almost unt...
In opposition to the European dominated classical music, several Russian composers including a group...
The article describes the main tendencies in the development of musical life and culture in Russia a...
This article is devoted to justification of a periodization in music history education in Kazan and ...
From 1650 to 1950, Russian music theory grew from a teaching medium for reading the neumes of monoph...
The dissertation is a study of two aspects of musical creativity in the city of Leningrad during the...
Music in Russia was seen as a powerful means of developing the mode of thinking and an understanding...
This project provides a look into Soviet Russia during the years of 1917 to 1937 through the life an...
This research focuses on Russian musical life in the Soviet Era, beginning in the Bolshevik Revoluti...
This dissertation examines the role of music and musical culture in broader patterns of cultural tra...
The period immediately following the Russian Revolution in 1917 was characterised by an upsurge in a...
The politicization of musical life in Stalin's Russia is a subject which has attracted a great deal ...
This dissertation is an historical, stylistic, and sociological analysis of new Russian music from t...
This study explores Russian thought about music in thirty-five years leading up to the establishment...
According to Stalin, Soviet music was to be "an art national in form and socialist in content." The ...
Soviet cultural politics was completely determined in the 1930s and remained unchangeable almost unt...
In opposition to the European dominated classical music, several Russian composers including a group...
The article describes the main tendencies in the development of musical life and culture in Russia a...
This article is devoted to justification of a periodization in music history education in Kazan and ...
From 1650 to 1950, Russian music theory grew from a teaching medium for reading the neumes of monoph...
The dissertation is a study of two aspects of musical creativity in the city of Leningrad during the...
Music in Russia was seen as a powerful means of developing the mode of thinking and an understanding...
This project provides a look into Soviet Russia during the years of 1917 to 1937 through the life an...