Final work monitors the first Wawe of reception of the Slávy Dcera Jan Kollárs. The materials are drawn primarily from contemporary correspondence and journal references. The first part provides a chronological narration of contemporary reviews. A separate chapter is devoted to the foreign reception of Kollár´s work. The final part contains a comparison of the Slávy Dcera from 1824 with the work of Samuel Godra from 1829 titled Muzy Dcera. Given the similarity of the names of both works assume that the author of Muzy Dcera was inspired by Kollar in other areas, too. Therefore, the final chapter is devoted to formal and content-comparison of the both works
2013-07-28Performances of operas by Christoph Willibald Gluck (1714-1787) were particularly frequent...
This thesis is analyzing post-war poetry of Czech poet Jiri Kolar, concretely his poems Dny v roce a...
The aim of my thesis is to introduce E. H. Gombrich's views on the nature of the reception of repres...
The graduation thesis The first Wave of Reception of Rukopis Královédvorský and Rukopis Zelenohorský...
The final work monitors reception of Ohlas písní ruských and Ohlas písní českých in the 19th century...
The topic of this article is the reception of Varlam Shalamov’s output since his first official publ...
Mertens Paul. Koller (H.). Die Mimesis in der Antike. Nachahmung, Darstellung, Ausdruck. In: Revue b...
The article closes a gap in basic research with an analytical first publication. – In 1918 Paul Klee...
The thesis is focused on the earliest period of Jiří Kolář's poetry and his two works Rudý havran / ...
The thesis called Reception of Bedřich Smetana's operas in Jan Malát's arrangements deals with the t...
The cultural dynamics of reception are best understood as a reiterative process of reshaping and ref...
Three 1941 letters to proprietor of The Chaucer Head Book Shop in NYC regarding a book he read and l...
This work tries to map various literary contexts into which Zeyer's Romanticism was placed by Czech ...
Descroix J. Antonius Kolâř, De re metrica poetarum Graecorum et Romanorum, 1947. In: Revue des Étude...
The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a...
2013-07-28Performances of operas by Christoph Willibald Gluck (1714-1787) were particularly frequent...
This thesis is analyzing post-war poetry of Czech poet Jiri Kolar, concretely his poems Dny v roce a...
The aim of my thesis is to introduce E. H. Gombrich's views on the nature of the reception of repres...
The graduation thesis The first Wave of Reception of Rukopis Královédvorský and Rukopis Zelenohorský...
The final work monitors reception of Ohlas písní ruských and Ohlas písní českých in the 19th century...
The topic of this article is the reception of Varlam Shalamov’s output since his first official publ...
Mertens Paul. Koller (H.). Die Mimesis in der Antike. Nachahmung, Darstellung, Ausdruck. In: Revue b...
The article closes a gap in basic research with an analytical first publication. – In 1918 Paul Klee...
The thesis is focused on the earliest period of Jiří Kolář's poetry and his two works Rudý havran / ...
The thesis called Reception of Bedřich Smetana's operas in Jan Malát's arrangements deals with the t...
The cultural dynamics of reception are best understood as a reiterative process of reshaping and ref...
Three 1941 letters to proprietor of The Chaucer Head Book Shop in NYC regarding a book he read and l...
This work tries to map various literary contexts into which Zeyer's Romanticism was placed by Czech ...
Descroix J. Antonius Kolâř, De re metrica poetarum Graecorum et Romanorum, 1947. In: Revue des Étude...
The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a...
2013-07-28Performances of operas by Christoph Willibald Gluck (1714-1787) were particularly frequent...
This thesis is analyzing post-war poetry of Czech poet Jiri Kolar, concretely his poems Dny v roce a...
The aim of my thesis is to introduce E. H. Gombrich's views on the nature of the reception of repres...