Listening to Bono of U2 in a recent radio interview, I was struck by a comment he made. He was talking about contemporary and past musics, and how the past and the present are tied up with hopes and fears about the future. It was, he argued, a case of the difference between yesterdays tomorrow and todays tomorrow. Yesterday\u27s tomorrow was about a confidence for the future, a belief that progress was more or less inevitable and, for music, that artistic creativity would continue to blossom and produce great works
This dissertation considers the idea of 'conditions of possibility' as a model for the analysis of p...
Irish contemporary art music is an often-overlooked aspect of the musical traditions of Ireland. In ...
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters o...
Chapter from Dublin’s Future: New Visions for Ireland’s Capital City, Dr. Lorcan Sirr (ed.), (Dublin...
This article explores a neglected area of popular music scholarship: the different aspects of auteur...
‘Writing about music is like dancing about architecture – it’s a really stupid thing to want to do,’...
International audienceThe last two decades have been in Ireland a period of strong economic growth, ...
There are a number of reasons that motivate the undertaking of research on the topic of the music s...
This paper firstly reviews recent scholarship on music and identity in Ireland. The review detects a...
British singer/songwriter Elvis Costello once said, “Talking about music is like dancing about archi...
This article examines the dynamics between old and new ways in Irish music, using terms from Pierre ...
Beautiful Day introduces representative songs from 1964 to the present by a range of Irish popular m...
This premise of this article is that music and the writing process have no inherent kinship, and tha...
Accessibly written and well illustrated, this book explores Irish rock music's relationship to the w...
Published in 2014 by Wolke Verlag, Different Voices: Irish Music and Music in Ireland provides new i...
This dissertation considers the idea of 'conditions of possibility' as a model for the analysis of p...
Irish contemporary art music is an often-overlooked aspect of the musical traditions of Ireland. In ...
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters o...
Chapter from Dublin’s Future: New Visions for Ireland’s Capital City, Dr. Lorcan Sirr (ed.), (Dublin...
This article explores a neglected area of popular music scholarship: the different aspects of auteur...
‘Writing about music is like dancing about architecture – it’s a really stupid thing to want to do,’...
International audienceThe last two decades have been in Ireland a period of strong economic growth, ...
There are a number of reasons that motivate the undertaking of research on the topic of the music s...
This paper firstly reviews recent scholarship on music and identity in Ireland. The review detects a...
British singer/songwriter Elvis Costello once said, “Talking about music is like dancing about archi...
This article examines the dynamics between old and new ways in Irish music, using terms from Pierre ...
Beautiful Day introduces representative songs from 1964 to the present by a range of Irish popular m...
This premise of this article is that music and the writing process have no inherent kinship, and tha...
Accessibly written and well illustrated, this book explores Irish rock music's relationship to the w...
Published in 2014 by Wolke Verlag, Different Voices: Irish Music and Music in Ireland provides new i...
This dissertation considers the idea of 'conditions of possibility' as a model for the analysis of p...
Irish contemporary art music is an often-overlooked aspect of the musical traditions of Ireland. In ...
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters o...