This article focuses on the multifaceted challenge faced by academics doing queer and gender studies of French crime fiction. It argues that the French literary arena still entertains a sharp divide between literature and commercialist mass fiction, which hinders the establishment of popular fiction studies. It further discusses the reasons for and the effect of queer theory’s late arrival to France, arguing that France’s strong republican ideal entails a fear of ghettoization that has undermined the development of gender and queer analysis, especially of literature. These phenomena, in combination with France’s centralized, traditionalist academic institutions and linguistic franco-centrism, contribute to the fact that there are no queer s...
This article addresses the issue of context in a queer analysis of historical novels. Three historic...
This article presents a non-exhaustive overview of gay and lesbian studies and research in the socia...
The term Queer was first used by Teresa de Lauretis in 1991 to describe constructs that did not adhe...
This dissertation examines homo/sexual representation in French and American literature and film fro...
Why should we study lesbian detective novels? Their storylines are, in many respects, much like thos...
As a way of trying to ensure that feminism remains accountable and inclusive, there is an institutio...
It has been nearly 30 years since Teresa de Lauretis coined the term “Queer Theory” in a special edi...
The city occupies a central role in the contemporary queer imagination to the extent that Jack Halbe...
My dissertation project examines representations of masculinity that resist normative conceptions of...
Queer as a gender identity draws varying responses globally. In French the representation of Queer i...
The allocation of a novel to the category ‘middlebrow’ is partly a matter of marketing and shifting ...
Drawing on the concept of utopia to reflect upon the emerging field of queer criminology and José Es...
Pieke Biermann’s feminist crime collection Mit Zorn, Charme, und Methode (1992) and Lisa Kuppler’s g...
International audienceAfter recalling some specific elements of the French gender debate, such as Fr...
Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dis...
This article addresses the issue of context in a queer analysis of historical novels. Three historic...
This article presents a non-exhaustive overview of gay and lesbian studies and research in the socia...
The term Queer was first used by Teresa de Lauretis in 1991 to describe constructs that did not adhe...
This dissertation examines homo/sexual representation in French and American literature and film fro...
Why should we study lesbian detective novels? Their storylines are, in many respects, much like thos...
As a way of trying to ensure that feminism remains accountable and inclusive, there is an institutio...
It has been nearly 30 years since Teresa de Lauretis coined the term “Queer Theory” in a special edi...
The city occupies a central role in the contemporary queer imagination to the extent that Jack Halbe...
My dissertation project examines representations of masculinity that resist normative conceptions of...
Queer as a gender identity draws varying responses globally. In French the representation of Queer i...
The allocation of a novel to the category ‘middlebrow’ is partly a matter of marketing and shifting ...
Drawing on the concept of utopia to reflect upon the emerging field of queer criminology and José Es...
Pieke Biermann’s feminist crime collection Mit Zorn, Charme, und Methode (1992) and Lisa Kuppler’s g...
International audienceAfter recalling some specific elements of the French gender debate, such as Fr...
Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dis...
This article addresses the issue of context in a queer analysis of historical novels. Three historic...
This article presents a non-exhaustive overview of gay and lesbian studies and research in the socia...
The term Queer was first used by Teresa de Lauretis in 1991 to describe constructs that did not adhe...