A computational model for vowel production has been used to simulate rising pitch glides in the time domain. Such glides reveal multi-faceted nonlinear system behaviour when the fundamental frequency fo is near the first vocal tract resonance fR1. There are multiple physical mechanisms for how the acoustic field in the vocal tract can interact with vocal fold dynamics causing this behaviour. The model used in this work includes the direct impact of the acoustic pressure on the transversal plane of the vocal folds and an acoustic perturbation component to the glottal flow. Simulations indicate that both of these mechanisms, when applied separately, cause similar perturbations in phonation parameters when fo crosses fR1. Enabling both mechani...
In the classical theory of vowel production it is standard to assume linear separability of the voic...
International audienceIn the classical theory of vowel production it is standard to assume linear se...
The acoustic spectrum of our voice can be divided into harmonic and inharmonic sound components. Whi...
A computational model for vowel production has been used to simulate rising pitch glides in the time...
A computational model for vowel production has been used to simulate rising pitch glides in the time...
A time-domain model of vowel production is used to simulate fundamental frequency glides over the fi...
A time-domain model of vowel production is used to simulate fundamental frequency glides over the fi...
During voiced speech, vocal folds interact with the vocal tract acoustics. The resulting glottal sou...
peer reviewedDuring voiced speech, vocal folds interact with the vocal tract acoustics. The resultin...
Frequency jumps are a common phenomenon in voice production. They are perceived as dis-continuities ...
During voiced speech, vocal folds interact with the vocal tract acoustics. The resulting glottal sou...
During voiced speech, vocal folds interact with the vocal tract acoustics. The resulting glottal sou...
We study the mechanical feedback coupling between the human vocal folds and vocal tract (VT) by simu...
International audienceThe acoustic properties of a recently proposed two-mass model for vocal-fold o...
According to nonlinear source-filter theory, as the strength of the coupling between the source and ...
In the classical theory of vowel production it is standard to assume linear separability of the voic...
International audienceIn the classical theory of vowel production it is standard to assume linear se...
The acoustic spectrum of our voice can be divided into harmonic and inharmonic sound components. Whi...
A computational model for vowel production has been used to simulate rising pitch glides in the time...
A computational model for vowel production has been used to simulate rising pitch glides in the time...
A time-domain model of vowel production is used to simulate fundamental frequency glides over the fi...
A time-domain model of vowel production is used to simulate fundamental frequency glides over the fi...
During voiced speech, vocal folds interact with the vocal tract acoustics. The resulting glottal sou...
peer reviewedDuring voiced speech, vocal folds interact with the vocal tract acoustics. The resultin...
Frequency jumps are a common phenomenon in voice production. They are perceived as dis-continuities ...
During voiced speech, vocal folds interact with the vocal tract acoustics. The resulting glottal sou...
During voiced speech, vocal folds interact with the vocal tract acoustics. The resulting glottal sou...
We study the mechanical feedback coupling between the human vocal folds and vocal tract (VT) by simu...
International audienceThe acoustic properties of a recently proposed two-mass model for vocal-fold o...
According to nonlinear source-filter theory, as the strength of the coupling between the source and ...
In the classical theory of vowel production it is standard to assume linear separability of the voic...
International audienceIn the classical theory of vowel production it is standard to assume linear se...
The acoustic spectrum of our voice can be divided into harmonic and inharmonic sound components. Whi...