This paper argues that design can empower a craftsperson and accordingly provides the ability to maintain her work and practice. In addition, it can provide new opportunities to the local community she is part of. The study presents case studies from the field of felting in Turkey, the aim being to understand the field of felting in Turkey and the role of design in the transitioning of felting. Based on these findings, we argue that craftspeople who use design are more empowered: they can create their own craft identities, sustain their practice, and build productive relationships with the local community.Peer reviewe
This paper explores the contribution of design to the ‘domestication’ of traditional crafts: the ref...
From a policy point of view, the nine million craftspeople in India are underdeveloped economically ...
Worldwide, externally supported craft development initiatives aim to enhance the capability of local...
This paper argues that design can empower a craftsperson and accordingly provides the ability to mai...
This study examined a creative practice, namely felting, to explore the daily practices and encounte...
It is widely known that Turkey has a great amount of data of traditions and cultures on its broad la...
This study analyses felt and the practice of felting from the geography of Turkey, as a way to explo...
The paper is the invited keynote address given at the opening of the “Imece 2009” Fine Arts & Design...
Creative production is fed upon reflections of the maker from various phases in making. This paper p...
Historically, design focused on ‘the giving of form and meaning,’ taking place in design studios, wo...
Design in Egypt must be shifted from imitating design in developed countries that focuses on design ...
The paper presents ongoing research on the examination of craft-design collaborations and understand...
The Arts and Crafts movement formed the basis for our current relationship to craftsmanship, and inf...
Craft production is characterized by top manufacturing quality. However, there is no wide-spread per...
The purpose of this qualitative art-based autoethnographic research study is to examine the lived ex...
This paper explores the contribution of design to the ‘domestication’ of traditional crafts: the ref...
From a policy point of view, the nine million craftspeople in India are underdeveloped economically ...
Worldwide, externally supported craft development initiatives aim to enhance the capability of local...
This paper argues that design can empower a craftsperson and accordingly provides the ability to mai...
This study examined a creative practice, namely felting, to explore the daily practices and encounte...
It is widely known that Turkey has a great amount of data of traditions and cultures on its broad la...
This study analyses felt and the practice of felting from the geography of Turkey, as a way to explo...
The paper is the invited keynote address given at the opening of the “Imece 2009” Fine Arts & Design...
Creative production is fed upon reflections of the maker from various phases in making. This paper p...
Historically, design focused on ‘the giving of form and meaning,’ taking place in design studios, wo...
Design in Egypt must be shifted from imitating design in developed countries that focuses on design ...
The paper presents ongoing research on the examination of craft-design collaborations and understand...
The Arts and Crafts movement formed the basis for our current relationship to craftsmanship, and inf...
Craft production is characterized by top manufacturing quality. However, there is no wide-spread per...
The purpose of this qualitative art-based autoethnographic research study is to examine the lived ex...
This paper explores the contribution of design to the ‘domestication’ of traditional crafts: the ref...
From a policy point of view, the nine million craftspeople in India are underdeveloped economically ...
Worldwide, externally supported craft development initiatives aim to enhance the capability of local...