This paper presents i) literature review of illuminance limits for conservation of exhibits; ii) pilot study on illuminance levels and distributions, air temperatures and relative humidity, RH and iii) survey results on visitors’ visual feedbacks on the exhibits’ conditions conducted at the Admiral Cheng Ho Gallery (Museum of History and Ethnography), Stadthuys, Melaka, Malaysia. Indicators for visual discomfort are observed from objectives ii and iii. The fieldwork was a pilot survey in the west facing gallery during high period of daylight distributions (14.00 -16.00hr) for a full week in March 2010. Results showed illuminance levels exceeded allowable exposure limits for some showcases. Measured air temperatures were much higher than acc...
This study examines the amount of light and the quality of the lighting solution, the preservation o...
Exhibits are often displayed in spaces originally not designed to be museums. Thus, is common for th...
It is widely accepted that the risk of degradation of artworks collections is strictly related to un...
This paper presents i) literature review of illuminance limits for conservation of exhibits; ii) pil...
Daylighting in historic buildings is not an easy criterion to manage as natural light fluctuates acc...
Daylighting in historic museum galleries is not an easy criterion to manage as natural light fluctua...
Safe level of daylighting for artefact conservation in historic buildings is a difficult task to ach...
This paper highlights the results of light levels and light-fastness study conducted in four daylit ...
Lighting Cultural Heritage is a complex task: light is necessary for the act of seeing, it can even ...
Limited attention has been paid to daylight performance concerning layout design and human perceptio...
This study evaluates daylight performance in an art museum in İstanbul, Turkey to analyse the effect...
The aims of this study were to investigate suitable LED lighting conditions for viewing fine art pai...
One part of preventive conservation is controlling the lighting in the exhibitions. As a first step ...
This thesis's motivation is awareness on artifact preservation and care complications in museum disp...
<div> <div> <div> <p>The Museum of Modern Art (MoMA) in New York City maintains an active program fo...
This study examines the amount of light and the quality of the lighting solution, the preservation o...
Exhibits are often displayed in spaces originally not designed to be museums. Thus, is common for th...
It is widely accepted that the risk of degradation of artworks collections is strictly related to un...
This paper presents i) literature review of illuminance limits for conservation of exhibits; ii) pil...
Daylighting in historic buildings is not an easy criterion to manage as natural light fluctuates acc...
Daylighting in historic museum galleries is not an easy criterion to manage as natural light fluctua...
Safe level of daylighting for artefact conservation in historic buildings is a difficult task to ach...
This paper highlights the results of light levels and light-fastness study conducted in four daylit ...
Lighting Cultural Heritage is a complex task: light is necessary for the act of seeing, it can even ...
Limited attention has been paid to daylight performance concerning layout design and human perceptio...
This study evaluates daylight performance in an art museum in İstanbul, Turkey to analyse the effect...
The aims of this study were to investigate suitable LED lighting conditions for viewing fine art pai...
One part of preventive conservation is controlling the lighting in the exhibitions. As a first step ...
This thesis's motivation is awareness on artifact preservation and care complications in museum disp...
<div> <div> <div> <p>The Museum of Modern Art (MoMA) in New York City maintains an active program fo...
This study examines the amount of light and the quality of the lighting solution, the preservation o...
Exhibits are often displayed in spaces originally not designed to be museums. Thus, is common for th...
It is widely accepted that the risk of degradation of artworks collections is strictly related to un...