In the summer term 2015, five academics at an interdisciplinary institution in Germany carried out the experiment of holding lectures in dialogue between a literature/theatre scholar and a scientist, on a stage, with performers and dancers. The series of four lectures explored a range of individual approaches to the subject of the experimental from the perspective of the sciences and of the theatre and outlined several conceptual overlaps between scientific content and theatre methodology. This article traces how, in addition to discussing the theoretical approaches to the subject, the lecture series also put these theories to the test and into practice by allowing performers and dancers to interfere with and even alter the lecture script. ...
International audienceDrawing on examples from the past twenty years of British theatre performance ...
How is science performative and how do the arts make science perform? Performance scholar Bleeker an...
The lecture focused on theatre as a perspective on contemporary media culture and starts from Chiel ...
The dialogue discusses the role presence could be permitted to play in academic situations of co-pre...
What happens when the language of the sciences meets that of the performing arts? Impulses for innov...
From publisher's website: Thinking Through Theatre and Performance presents a bold and innovative a...
Theater rehearsals are (usually) confronted with the problem of having to transform a written text i...
Departing from examples of German theatre study programs (University of Giessen, University of Hilde...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Performativity is both a methodology and in its complexity, phenomena. Understanding the concept, th...
The book, which is based on the award-winning doctoral dissertation The Room’s Need of a Name: A Phi...
This presentation occupies a niche wedged between philosophy and art, exciting both the creative and...
How can performing be transformed into cognition? Knowing in Performing describes dynamic processes ...
The article presents the author’s own teaching method, learner as a cultural actor, used on elective...
This contribution takes the form of a script for a fictional performance by two characters: flora ly...
International audienceDrawing on examples from the past twenty years of British theatre performance ...
How is science performative and how do the arts make science perform? Performance scholar Bleeker an...
The lecture focused on theatre as a perspective on contemporary media culture and starts from Chiel ...
The dialogue discusses the role presence could be permitted to play in academic situations of co-pre...
What happens when the language of the sciences meets that of the performing arts? Impulses for innov...
From publisher's website: Thinking Through Theatre and Performance presents a bold and innovative a...
Theater rehearsals are (usually) confronted with the problem of having to transform a written text i...
Departing from examples of German theatre study programs (University of Giessen, University of Hilde...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Performativity is both a methodology and in its complexity, phenomena. Understanding the concept, th...
The book, which is based on the award-winning doctoral dissertation The Room’s Need of a Name: A Phi...
This presentation occupies a niche wedged between philosophy and art, exciting both the creative and...
How can performing be transformed into cognition? Knowing in Performing describes dynamic processes ...
The article presents the author’s own teaching method, learner as a cultural actor, used on elective...
This contribution takes the form of a script for a fictional performance by two characters: flora ly...
International audienceDrawing on examples from the past twenty years of British theatre performance ...
How is science performative and how do the arts make science perform? Performance scholar Bleeker an...
The lecture focused on theatre as a perspective on contemporary media culture and starts from Chiel ...