This study investigates visitors’ satisfaction with their subjective experience in theatres. Reconciling research on theatre marketing and theatre studies, a model of visitors’ satisfaction in theatre is suggested and an instrument to capture visitors’ satisfaction and its determinants is developed. Results from a field study (n = 158) on three performances of ‘Twelfth Night or What You Will’ (Shakespeare) in a German community theatre revealed spectators’ perception of stage direction and their emotional response as significant determinants. Comparing experienced to inexperienced visitors’ judgements, no differences were found. Conclusions for theatre marketing are drawn
[[abstract]]The purposes of this study were to examine the audience demographic characteristics for ...
Despite its relevance and potential for explaining various arts consumption phenomena, examination o...
<p>Abstract copyright UK Data Service and data collection copyright owner.</p>The first survey (SN:1...
Despite the frequent call for a strengthened customer orientation in performing arts organizations, ...
The phenomenon of theater goers who are not satisfied when watching but at the next show they were s...
The purpose of the current study was to investigate what elements of a theatre production would allo...
This project attempts to establish a base for future work in theatre audience research. The project...
This paper investigates the effects of perceived primary service and perceived servicescape on custo...
This article presents empirical research findings on the make-up of U.K. theatre audiences. A repres...
We develop a model of theatre demand with learning by consuming, and test some of its implications o...
Theatre is a complicated pastime, bridging the fields of arts and leisure and the drivers of aesthet...
This article investigates the similarities and differences on how spectators experience theatre perf...
The aim of this research is to arrive at an effective method for gathering and analysing nontheatreg...
Audience experience is a bridge between performers and the audience in the performing arts. In this ...
This article investigates the similarities and differences on how spectators experience theatre perf...
[[abstract]]The purposes of this study were to examine the audience demographic characteristics for ...
Despite its relevance and potential for explaining various arts consumption phenomena, examination o...
<p>Abstract copyright UK Data Service and data collection copyright owner.</p>The first survey (SN:1...
Despite the frequent call for a strengthened customer orientation in performing arts organizations, ...
The phenomenon of theater goers who are not satisfied when watching but at the next show they were s...
The purpose of the current study was to investigate what elements of a theatre production would allo...
This project attempts to establish a base for future work in theatre audience research. The project...
This paper investigates the effects of perceived primary service and perceived servicescape on custo...
This article presents empirical research findings on the make-up of U.K. theatre audiences. A repres...
We develop a model of theatre demand with learning by consuming, and test some of its implications o...
Theatre is a complicated pastime, bridging the fields of arts and leisure and the drivers of aesthet...
This article investigates the similarities and differences on how spectators experience theatre perf...
The aim of this research is to arrive at an effective method for gathering and analysing nontheatreg...
Audience experience is a bridge between performers and the audience in the performing arts. In this ...
This article investigates the similarities and differences on how spectators experience theatre perf...
[[abstract]]The purposes of this study were to examine the audience demographic characteristics for ...
Despite its relevance and potential for explaining various arts consumption phenomena, examination o...
<p>Abstract copyright UK Data Service and data collection copyright owner.</p>The first survey (SN:1...