The question of what comes after postmodern fiction is a key consideration of contemporary fiction, particularly with respect to novels centred on new ways of making art, while still exhibiting the use of postmodern discursive techniques to different effects. With this paradigmatic shift, the fiction of our time must be understood in relation to both the history and future of the novel. Focusing on the ‘traditional’ and ‘experimental’ conventions of fiction, I will illustrate the centrality of Milan Kundera’s Ignorance, John Banville’s The Sea, and Julian Barnes’ The Sense of an Ending, as works of contemporary fiction. This thesis begins with a consideration of the ways in which these novels continue to engage with age-old questions about ...
This paper examines John Banville’s oeuvre in the context of fiction’s relation to reality. The vari...
This paper examines John Banville’s oeuvre in the context of fiction’s relation to reality. The vari...
In this study, I argue that Milan Kundera’s Immortality - as his exemplary notion of a ‘moral’ new n...
The question of what comes after postmodern fiction is a key consideration of contemporary fiction, ...
This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University...
Since the millennium, contemporary novelists have produced innovative works of fiction that rely upo...
Examining various postmodernisms – from the textual postmodernisms of Samuel Beckett, Vladimir Nabok...
I begin my paper with the observation that one often finds John Banville’s works being read as ‘post...
Designed as an introduction to some concerns of the postmodern moment--a moment which demands an awa...
The article is devoted to the linguistic singularity of the novels The Sense of an Ending by Julian ...
Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader ...
The author focuses on the significance of novels in modern society. The author states that the novel...
While rumors of the imminent death of the novel are everywhere, this book shows how some of our most...
It was the modernist and post-modernist authors who added new dimensions to the long-existed term 'u...
This is chapter 5 of the book Colum McCann and the Aesthetics of Redemption.Introducing the work of...
This paper examines John Banville’s oeuvre in the context of fiction’s relation to reality. The vari...
This paper examines John Banville’s oeuvre in the context of fiction’s relation to reality. The vari...
In this study, I argue that Milan Kundera’s Immortality - as his exemplary notion of a ‘moral’ new n...
The question of what comes after postmodern fiction is a key consideration of contemporary fiction, ...
This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University...
Since the millennium, contemporary novelists have produced innovative works of fiction that rely upo...
Examining various postmodernisms – from the textual postmodernisms of Samuel Beckett, Vladimir Nabok...
I begin my paper with the observation that one often finds John Banville’s works being read as ‘post...
Designed as an introduction to some concerns of the postmodern moment--a moment which demands an awa...
The article is devoted to the linguistic singularity of the novels The Sense of an Ending by Julian ...
Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader ...
The author focuses on the significance of novels in modern society. The author states that the novel...
While rumors of the imminent death of the novel are everywhere, this book shows how some of our most...
It was the modernist and post-modernist authors who added new dimensions to the long-existed term 'u...
This is chapter 5 of the book Colum McCann and the Aesthetics of Redemption.Introducing the work of...
This paper examines John Banville’s oeuvre in the context of fiction’s relation to reality. The vari...
This paper examines John Banville’s oeuvre in the context of fiction’s relation to reality. The vari...
In this study, I argue that Milan Kundera’s Immortality - as his exemplary notion of a ‘moral’ new n...