Clothes define people. A person’s clothing, whether it’s a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world’s most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis on Western women’s clothing, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history throu...
John Styles, ‘Asian Textiles and European Fashion, 1400-1800’, in Toshio Kusamitsu and Shinobu Majim...
Darba tēma ir „Tradicionālais apģērbs Japānā: Vēsture un mūsdienu interpretācija”. Tēma ir izvēlēta ...
Clothes define people. A person’s clothing, whether it’s a sari, kimono, or business suit, is an ess...
A visit to Kyoto in September offered a unique opportunity to study the exhibition of ninety iconic ...
This paper examines the development of popular kimono fashion from the late 19th century through the...
The modern kimono might look similar to its historical predecessor, but it has, in fact, gone throug...
The traditional costume is the symbol of the nationality. We can see many kinds of styles, admirable...
The purpose of this report was to support the study of senior high school homemaking education on ki...
Preparing kimonos backstage for the Kyoto Textile Museum fashion show.Obi is a sash worn with kimono...
AbstractIn this presentation, survival theories and visuals of the Kaunake garments which have histo...
This study illuminates how Westerners in the late 19th century thought about and evaluated tradition...
RIBEIRO Aileen Clothing Art : the visual culture of fashion, 1600-1914 New Haven : Yale University P...
Eight centuries of western fashion would need a much longer treatment than can be provided here. Thi...
Many Japanese people, including those in the government, the media and the artisans themselves, beli...
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history throu...
John Styles, ‘Asian Textiles and European Fashion, 1400-1800’, in Toshio Kusamitsu and Shinobu Majim...
Darba tēma ir „Tradicionālais apģērbs Japānā: Vēsture un mūsdienu interpretācija”. Tēma ir izvēlēta ...
Clothes define people. A person’s clothing, whether it’s a sari, kimono, or business suit, is an ess...
A visit to Kyoto in September offered a unique opportunity to study the exhibition of ninety iconic ...
This paper examines the development of popular kimono fashion from the late 19th century through the...
The modern kimono might look similar to its historical predecessor, but it has, in fact, gone throug...
The traditional costume is the symbol of the nationality. We can see many kinds of styles, admirable...
The purpose of this report was to support the study of senior high school homemaking education on ki...
Preparing kimonos backstage for the Kyoto Textile Museum fashion show.Obi is a sash worn with kimono...
AbstractIn this presentation, survival theories and visuals of the Kaunake garments which have histo...
This study illuminates how Westerners in the late 19th century thought about and evaluated tradition...
RIBEIRO Aileen Clothing Art : the visual culture of fashion, 1600-1914 New Haven : Yale University P...
Eight centuries of western fashion would need a much longer treatment than can be provided here. Thi...
Many Japanese people, including those in the government, the media and the artisans themselves, beli...
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history throu...
John Styles, ‘Asian Textiles and European Fashion, 1400-1800’, in Toshio Kusamitsu and Shinobu Majim...
Darba tēma ir „Tradicionālais apģērbs Japānā: Vēsture un mūsdienu interpretācija”. Tēma ir izvēlēta ...