El tema picaresco gozó de una larga tradición en la literatura árabe. Tras un breve repaso histórico de sus principales representantes, el presente trabajo se centra en el estudio y traducción de la presencia de la figura del pícaro en la obra de Ibn Dāniyāl (m. 710/1310). Poeta y renovador del teatro de sombras, es considerado uno de los escritores más destacados de la época mameluca. Ibn Dāniyāl confunde la realidad con la imagina-ción, los personajes reales con los inventados en toda su obra de una manera natural y es-pontánea. Ante todo, el artículo aplica la crítica del modelo picaresco a la obra del drama-turgo egipcio. Trata de seguir la pista de los aspectos relevantes hasta su fuente más tem-prana, tanto en la forma como en el cont...
El Egipto mameluco es un buen ejemplo de ideología ecuestre en el Medievo, desde el siglo XIII hasta...
the arab poet Ibn Daniyal uses poetical stereotypes to satirize the policy of the Mamluke Sultan Bay...
International audienceFinished on November 2008, this article is devoted to Ibn Manẓūr's Aḫbār Abī N...
Traducción española y estudio crítico de la biografía de Ibn Dāniyāl (m. 710/1310), poeta y dramatur...
Spanish translation and critical study of the biography of of Ibn Dāniyāl (d. 710/1310), Egyptian po...
This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, p...
The character of Prince Wiṣāl, main hero of the first dramatic piece by Ibn Dāniyāl, has not ceased...
This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, p...
Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqāma, investi...
The purpose of this paper is to call attention to this book by Ibn al-Mu‘tazz, sometimes neglected, ...
Ibn Jaldún parte de la idea de que la lengua árabe por excelencia es aquella en la que fue escrito e...
This thesis discusses the shadow play in mediaeval Arabo-Islamic societies, and the most outstanding...
Ibn Nāqiyā (d. 1092) is far less well-known than Badiʿ al-Zamān al-Hamadhānī (d. 1008), creator of t...
“The comic epistle: a reading of the other side of Ibn Zaydūn”. In this article a newreading is offe...
Ibn Daniyal's Shadow Theatre present in his second play an interesting panorama of street performers...
El Egipto mameluco es un buen ejemplo de ideología ecuestre en el Medievo, desde el siglo XIII hasta...
the arab poet Ibn Daniyal uses poetical stereotypes to satirize the policy of the Mamluke Sultan Bay...
International audienceFinished on November 2008, this article is devoted to Ibn Manẓūr's Aḫbār Abī N...
Traducción española y estudio crítico de la biografía de Ibn Dāniyāl (m. 710/1310), poeta y dramatur...
Spanish translation and critical study of the biography of of Ibn Dāniyāl (d. 710/1310), Egyptian po...
This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, p...
The character of Prince Wiṣāl, main hero of the first dramatic piece by Ibn Dāniyāl, has not ceased...
This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, p...
Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqāma, investi...
The purpose of this paper is to call attention to this book by Ibn al-Mu‘tazz, sometimes neglected, ...
Ibn Jaldún parte de la idea de que la lengua árabe por excelencia es aquella en la que fue escrito e...
This thesis discusses the shadow play in mediaeval Arabo-Islamic societies, and the most outstanding...
Ibn Nāqiyā (d. 1092) is far less well-known than Badiʿ al-Zamān al-Hamadhānī (d. 1008), creator of t...
“The comic epistle: a reading of the other side of Ibn Zaydūn”. In this article a newreading is offe...
Ibn Daniyal's Shadow Theatre present in his second play an interesting panorama of street performers...
El Egipto mameluco es un buen ejemplo de ideología ecuestre en el Medievo, desde el siglo XIII hasta...
the arab poet Ibn Daniyal uses poetical stereotypes to satirize the policy of the Mamluke Sultan Bay...
International audienceFinished on November 2008, this article is devoted to Ibn Manẓūr's Aḫbār Abī N...