Typewritten. --- Scarlatti, A. Mitilde, mio tesor! last 14 pages. --- Thesis (M.M.)--University of Rochester, 1942.It will be the purpose or this thesis to realize the basso continuo, analyze the form, melodic line, and the harmonic structure or a cantata taken from a set of three volumes of Solo Cantatas in manuscript of Alessandro Scarlatti found in the Sibley Music Library, Rochester, New York. It is felt that in the Solo Cantata Alessandro Scarlatti reached the height of his artistic achievement. These Chamber Cantatas are of such high caliber that they would be a welcome addition to any singer's repertoire
The Concerti sacri, a set of ten motets, is the only volume of Alessandro Scarlatti's sacred music t...
The Orpheus myth is central to the symbolic representation of the power of music, synonymous with th...
BB 50-3 - Alessandro Scarlatti - 1659-1725 - ed. et arr. Bruno Antonio Buike - Exsultate Deo - organ...
Thesis (M.A.)--Boston UniversityThe cantatas of Alessandro Scarlatti (1660-1725) represent the culmi...
The development of divided bass part scoring is a notable part of Scarlatti's orchestral treatment f...
Alessandro Scarlatti's setting of Lucretia Romana (Hanley 377) has been dated to 16 September, 1688....
Includes bibliographical references.Includes music.This paper deals with five songs of Alessandro Sc...
‘Venere, Adone e Amore: Serenatas and Cantatas of Alessandro Scarlatti’ represents the culmination o...
The transmission of Alessandro Scarlatti’s works is bound up with issues of locality and identity, s...
The special relationship of patrons, librettists, and composers, in the Accademia degli'Arcadia in R...
The Italian Serenata is a genre tied more than most to locality and occasion. One of the most attrac...
The cantata was the principal form of Italian vocal chamber music from the end of the 17th c. to the...
Includes recorded audio files in WAV and MP3 formats, 59:48 in lengthComposition performed in the re...
Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [Notte cara, ombre beate. H 479]Tit...
BB 50-2 - Alessandro Scarlatti - 1659-1725 - ed. et arr. Bruno Antonio Buike - Exsultate Deo - brass...
The Concerti sacri, a set of ten motets, is the only volume of Alessandro Scarlatti's sacred music t...
The Orpheus myth is central to the symbolic representation of the power of music, synonymous with th...
BB 50-3 - Alessandro Scarlatti - 1659-1725 - ed. et arr. Bruno Antonio Buike - Exsultate Deo - organ...
Thesis (M.A.)--Boston UniversityThe cantatas of Alessandro Scarlatti (1660-1725) represent the culmi...
The development of divided bass part scoring is a notable part of Scarlatti's orchestral treatment f...
Alessandro Scarlatti's setting of Lucretia Romana (Hanley 377) has been dated to 16 September, 1688....
Includes bibliographical references.Includes music.This paper deals with five songs of Alessandro Sc...
‘Venere, Adone e Amore: Serenatas and Cantatas of Alessandro Scarlatti’ represents the culmination o...
The transmission of Alessandro Scarlatti’s works is bound up with issues of locality and identity, s...
The special relationship of patrons, librettists, and composers, in the Accademia degli'Arcadia in R...
The Italian Serenata is a genre tied more than most to locality and occasion. One of the most attrac...
The cantata was the principal form of Italian vocal chamber music from the end of the 17th c. to the...
Includes recorded audio files in WAV and MP3 formats, 59:48 in lengthComposition performed in the re...
Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [Notte cara, ombre beate. H 479]Tit...
BB 50-2 - Alessandro Scarlatti - 1659-1725 - ed. et arr. Bruno Antonio Buike - Exsultate Deo - brass...
The Concerti sacri, a set of ten motets, is the only volume of Alessandro Scarlatti's sacred music t...
The Orpheus myth is central to the symbolic representation of the power of music, synonymous with th...
BB 50-3 - Alessandro Scarlatti - 1659-1725 - ed. et arr. Bruno Antonio Buike - Exsultate Deo - organ...