Instead of an intertextual approach, this bachelor thesis make use of Wittgenstein’s concept of family resemblance to examine the conceived relation between Robert Walser’s Jakob von Gunten and Franz Kafka’s The metamorphosis. The concept is also constituted of pointing out how the texts coincidently are not bound to each other. The purpose is to immerse the refinement of the literary communion between the two authors. The concept focus contact areas and individual areas of the texts, and these family resemblances are constituted by language games, which is to use the language for a specific function. The family resemblance examined in this thesis is "overreactions". The result shows that overreactions serve different functions at the two a...
This thesis investigates two closely related questions: what function do names and professional iden...
The main aim of the thesis is to acquaint with Franz Kafka as a writer of many letters, in which he ...
The paper analyses Kafka’s fragment "Man darf nicht sagen" (1906) as one of the first trace of the a...
Instead of an intertextual approach, this bachelor thesis make use of Wittgenstein’s concept of fami...
Celem niniejszej pracy jest analiza teorii „czystej formy” stworzonej przez niemieckiego krytyka Mar...
The topic of my Bachelor´s thesis is to search a comparative parallel Kafka - Hašek in literature-sc...
My diploma thesis is focused on literary analysis of the motif of relationship between father and so...
Note:English version omitted.Le but de cette thèse est de clarifier l'affinité littéraire souvent pr...
The aim of this thesis is to discuss the similarities between Kafka’s The Trial, “The Metamorphosis”...
Brief an den Vater, which has been subject of frequent psychoanalytic interpretations is based on th...
In the mid 1920s, reflecting the common concern of the so-called \u22Sprachkrise\u22 [Crisis of Lang...
This presented bachelor thesis deals with the comparison of two works with the motif of metamorphosi...
Kafka's use of silence and gesture in depictions of violence are meant to evoke empathy in the reade...
Images of a father’s overwhelmingly large body (“fatherbody”) form an intertextual web between Kafka...
The article puts forward the theme and style specificity of Franz Kafka’s correspondence with his pa...
This thesis investigates two closely related questions: what function do names and professional iden...
The main aim of the thesis is to acquaint with Franz Kafka as a writer of many letters, in which he ...
The paper analyses Kafka’s fragment "Man darf nicht sagen" (1906) as one of the first trace of the a...
Instead of an intertextual approach, this bachelor thesis make use of Wittgenstein’s concept of fami...
Celem niniejszej pracy jest analiza teorii „czystej formy” stworzonej przez niemieckiego krytyka Mar...
The topic of my Bachelor´s thesis is to search a comparative parallel Kafka - Hašek in literature-sc...
My diploma thesis is focused on literary analysis of the motif of relationship between father and so...
Note:English version omitted.Le but de cette thèse est de clarifier l'affinité littéraire souvent pr...
The aim of this thesis is to discuss the similarities between Kafka’s The Trial, “The Metamorphosis”...
Brief an den Vater, which has been subject of frequent psychoanalytic interpretations is based on th...
In the mid 1920s, reflecting the common concern of the so-called \u22Sprachkrise\u22 [Crisis of Lang...
This presented bachelor thesis deals with the comparison of two works with the motif of metamorphosi...
Kafka's use of silence and gesture in depictions of violence are meant to evoke empathy in the reade...
Images of a father’s overwhelmingly large body (“fatherbody”) form an intertextual web between Kafka...
The article puts forward the theme and style specificity of Franz Kafka’s correspondence with his pa...
This thesis investigates two closely related questions: what function do names and professional iden...
The main aim of the thesis is to acquaint with Franz Kafka as a writer of many letters, in which he ...
The paper analyses Kafka’s fragment "Man darf nicht sagen" (1906) as one of the first trace of the a...