Sejarah baru dalam seni rupa yang inovatif adalah populernya pameran skala internasional, misalnya “dua tahunan” telah mempengaruhi seni kontemporer global sejak tahun 1950-an. Buku ini memperkenalkan serangkaian studi kasus global untuk mengilustrasikan lintasan dua tahunan dan pengaruhnya terhadap ekspresi artistik mulai dari Biennale de la Mediterranee di Alexandria Mesir tahun 1955, Havana Biennale tahun 1986, New York’s Whitney Biennial pada tahun 1993, Documentall di Kassel tahun 2002 dan Gwangju Biennial 2014. Pembahasan melalui pendekatan kuratorial termasuk analisis sponsor, filantropis dan direktur biennale di kancah seni kontemporer
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the develo...
Seni pertunjukan bukanlah genre seni tersendiri yang terpisah dari pembuatan objek dan telah menyusu...
In order to explore global biennials of contemporary art, this study provides a geospatial analysis ...
I was one two invited curators establishing the main theme, form and content of the fourth Gwangju B...
A biennial/biennale show is a show that happens every other year. It is most commonly used within th...
AbstractHistorically and culturally , Southeast Asia is a place where great civilizations and ancien...
Biennials are each in their own way a complex constellation of different economical and geopolitical...
The exhibitionary complex in the 21st century is continually transforming due to the global shifts ...
A variety of art activities have presented globalization in Indonesia, especially in the last two de...
Dubrovnik Biennial doesn’t seek to reproduce a typical Biennial form which relies on the patronage o...
What institutional forms sustain aesthetic colonization today? How do they contribute to Western cul...
International audienceReviewing recent publications on large-scale manifestations (including Carolin...
This draft edition of OnCurating began life by a group of scholars and researchers asking a series o...
There has been a proliferation of contemporary art biennials in the past 20 years, especially in cit...
International audienceA partir de quelques parutions récentes liées à l'histoire des biennales (dont...
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the develo...
Seni pertunjukan bukanlah genre seni tersendiri yang terpisah dari pembuatan objek dan telah menyusu...
In order to explore global biennials of contemporary art, this study provides a geospatial analysis ...
I was one two invited curators establishing the main theme, form and content of the fourth Gwangju B...
A biennial/biennale show is a show that happens every other year. It is most commonly used within th...
AbstractHistorically and culturally , Southeast Asia is a place where great civilizations and ancien...
Biennials are each in their own way a complex constellation of different economical and geopolitical...
The exhibitionary complex in the 21st century is continually transforming due to the global shifts ...
A variety of art activities have presented globalization in Indonesia, especially in the last two de...
Dubrovnik Biennial doesn’t seek to reproduce a typical Biennial form which relies on the patronage o...
What institutional forms sustain aesthetic colonization today? How do they contribute to Western cul...
International audienceReviewing recent publications on large-scale manifestations (including Carolin...
This draft edition of OnCurating began life by a group of scholars and researchers asking a series o...
There has been a proliferation of contemporary art biennials in the past 20 years, especially in cit...
International audienceA partir de quelques parutions récentes liées à l'histoire des biennales (dont...
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the develo...
Seni pertunjukan bukanlah genre seni tersendiri yang terpisah dari pembuatan objek dan telah menyusu...
In order to explore global biennials of contemporary art, this study provides a geospatial analysis ...