In this, part two of a two part paper, we will discuss our approach to the formalisation of our document encoding approach, derived from software engineering, which treats of the three classes of a digital edition; the Logical, the Physical and the Interaction Classes. We specifically address our decision to use XML (Extensible Mark-up Language), not TEI (Text Encoding Initiative), as our encoding language. An argument is provided as to why TEI is unsuitable for function-based documents, this addresses both source integrity and the restrictive nature of TEI. TEI does not support our forward engineering approach, which allows us to simultaneously produce the model, the encoding and the software environment
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
In this, part two of a two part paper, we will discuss our approach to the formalisation of our docu...
In this, part two of a two part paper, we will discuss our approach to the formalisation of our docu...
In this, part one of a two part paper, we will discuss the approach taken during the creation of a d...
In this, part one of a two part paper, we will discuss the approach taken during the creation of a d...
In this, part one of a two part paper, we will discuss the approach taken during the creation of a d...
Medieval and early modern account books are well suited for computer ana...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
According to Sahle (2017) [1] digital editions are guided by a digital paradigm in their theory, met...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
In this, part two of a two part paper, we will discuss our approach to the formalisation of our docu...
In this, part two of a two part paper, we will discuss our approach to the formalisation of our docu...
In this, part one of a two part paper, we will discuss the approach taken during the creation of a d...
In this, part one of a two part paper, we will discuss the approach taken during the creation of a d...
In this, part one of a two part paper, we will discuss the approach taken during the creation of a d...
Medieval and early modern account books are well suited for computer ana...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
According to Sahle (2017) [1] digital editions are guided by a digital paradigm in their theory, met...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...
International audienceCultural heritage institutions today aim to digitise their collections of prin...