The film has remained to this day, as contemporary German cinema is still awaiting a more systemic effort at rejuvenating what constitutes the lifeblood of any properly functioning film industry: genre cinema. Marco Abel teaches film studies and continental theory in the Department of English at the University of Nebraska and is currently working on his second book, The Berlin School: Toward a Minor Cinema. He has a longer essay on Dominik Graf forthcoming in Generic Histories: Genre and its Deviations in German Cinema (ed. Jaimey Fisher)
Book chapterJean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it w...
UID/ELT/00657/2019Since the creation of the cinematograph, literature has been a source of inspirati...
“[T]here is never a good moment to try and say something definitive, least of all about ‘Europe’ or ...
The film has remained to this day, as contemporary German cinema is still awaiting a more systemic ...
This thesis explores the varying critiques of the French education system as depicted in films. The ...
In 1960, film specialist and occasional director of experimental and political films Lewis Jacobs ed...
Notre travail de thèse de sociologie présente le passage du cinéma allemand en France depuis 1990, d...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
In the 1960s, the movies arguably made their most significant headway into the classrooms of the US ...
Films can be placed on a formalist-realist scale based upon the style taken upon by filmmakers, whet...
Journalists turned cinematographers: Cahiers du Cinema and the Nouvelle Vague is a reflection of the...
Owing to its location, the Film University Babelsberg KONRAD WOLF is particularly well suited to ref...
"Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculati...
The French New Wave is considered to be one of the most influential waves within cinema history, sta...
Die Bibliographie listet Artikel zur allgemeinen Problematik der Genres in Filmtheorie und -geschich...
Book chapterJean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it w...
UID/ELT/00657/2019Since the creation of the cinematograph, literature has been a source of inspirati...
“[T]here is never a good moment to try and say something definitive, least of all about ‘Europe’ or ...
The film has remained to this day, as contemporary German cinema is still awaiting a more systemic ...
This thesis explores the varying critiques of the French education system as depicted in films. The ...
In 1960, film specialist and occasional director of experimental and political films Lewis Jacobs ed...
Notre travail de thèse de sociologie présente le passage du cinéma allemand en France depuis 1990, d...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
In the 1960s, the movies arguably made their most significant headway into the classrooms of the US ...
Films can be placed on a formalist-realist scale based upon the style taken upon by filmmakers, whet...
Journalists turned cinematographers: Cahiers du Cinema and the Nouvelle Vague is a reflection of the...
Owing to its location, the Film University Babelsberg KONRAD WOLF is particularly well suited to ref...
"Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculati...
The French New Wave is considered to be one of the most influential waves within cinema history, sta...
Die Bibliographie listet Artikel zur allgemeinen Problematik der Genres in Filmtheorie und -geschich...
Book chapterJean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it w...
UID/ELT/00657/2019Since the creation of the cinematograph, literature has been a source of inspirati...
“[T]here is never a good moment to try and say something definitive, least of all about ‘Europe’ or ...