We present a novel efficient algorithm for scaling the frequency content of an audio signal by any desired factor in the range 0.5 (minus one octave) to 2.0 (plus one octave) enabling a recording to be played in any desired key without affecting the tempo. The algorithm uses an adaptive overlap-add (AOLA) technique to realise the desired frequency scaling without affecting the duration. Informal listening tests show output quality equal to that of a conventional overlap-add algorithm used in many commercially available systems, but offering significant computational saving relative to that algorithm. The algorithm is also used to simultaneously scale both the tempo and key of a recording
We present an algorithm for sound analysis and re-synthesis with local automatic adaptation of time-...
: In this paper a fast method for the calculation of a linear time-frequency distribution based on t...
Time-domain time-scaling algorithms are efficient in comparison to their frequency-domain counterpar...
We present a novel efficient algorithm for scaling the frequency content of an audio signal by any d...
Constant pitch time stretching is not uncommon in audio editing software, however several issues ari...
peer-reviewedThis paper describes a polyphonic note detection system incorporating a simple masking ...
Time-domain time-scaling algorithms are efficient in comparison to their frequency-domain counterpar...
The duration of a speech passage can be altered using audio time-scale modification techniques. Time...
The use of perceptually based (lossy) audio codecs, like MPEG 1 - layer 3 (`mp3'), has become very p...
Pitch-shifting lowers or increases the pitch of an audio recording. This technique hasbeen used in r...
This article presents new spectral analysis-synthesis approaches to musical signal transformation. T...
publicationstatus: publishedpublicationstatus: publishedpublicationstatus: publishe
This report investigates on the transcription of polyphonic musical signal. Onset time is determine...
We present a novel music signal processing task of classifying the tuning of a harpsichord from audi...
We report on the tempo induction contest organized during the International Conference on Music Info...
We present an algorithm for sound analysis and re-synthesis with local automatic adaptation of time-...
: In this paper a fast method for the calculation of a linear time-frequency distribution based on t...
Time-domain time-scaling algorithms are efficient in comparison to their frequency-domain counterpar...
We present a novel efficient algorithm for scaling the frequency content of an audio signal by any d...
Constant pitch time stretching is not uncommon in audio editing software, however several issues ari...
peer-reviewedThis paper describes a polyphonic note detection system incorporating a simple masking ...
Time-domain time-scaling algorithms are efficient in comparison to their frequency-domain counterpar...
The duration of a speech passage can be altered using audio time-scale modification techniques. Time...
The use of perceptually based (lossy) audio codecs, like MPEG 1 - layer 3 (`mp3'), has become very p...
Pitch-shifting lowers or increases the pitch of an audio recording. This technique hasbeen used in r...
This article presents new spectral analysis-synthesis approaches to musical signal transformation. T...
publicationstatus: publishedpublicationstatus: publishedpublicationstatus: publishe
This report investigates on the transcription of polyphonic musical signal. Onset time is determine...
We present a novel music signal processing task of classifying the tuning of a harpsichord from audi...
We report on the tempo induction contest organized during the International Conference on Music Info...
We present an algorithm for sound analysis and re-synthesis with local automatic adaptation of time-...
: In this paper a fast method for the calculation of a linear time-frequency distribution based on t...
Time-domain time-scaling algorithms are efficient in comparison to their frequency-domain counterpar...