The analytical approach of this paper synthesises recent extensions of Schenkerian theory that make explicit the rhythmic implications of Schenker's theory of pitch structure. While the method may be regarded as an extension of Heinrich Schenker's analytical approach, its specific combination of four aspects distinguishes this synthesis from previous analytical approaches: attention to the rhythms created by pitch events on all structural levels; a detailed account of the musical surface; 'strict use' of analytical notation following guidelines offered by Steve Larson; and a continual concern with what have been called 'strategies' or 'premises'. This approach thus builds on the work of such authors as William Rothstein, Carl Sch...
The late chromatic music of Chopin is often difficult to analyze, particularly with a system of Roma...
This dissertation examines Chopin’s 17 waltzes as a collection of miniature works, which I broadly c...
Proposes the H-E-L-M-C-K-E hermeneutic to decode Historical, Extramusical, Linguistic, (intra)Musica...
The analytical approach of this paper synthesises recent extensions of Schenkerian theory that make...
217 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1980.The dissertation named is a ...
This dissertation has four principal goals: 1. to provide Heinrich Schenker's theoretical notion of...
Chopin’s twenty-seven piano études display the composer’s poetic musical language, uniting keyboard ...
This thesis focuses on the relationship between piano performance and Schenkerian analysis. Schenker...
The connections with Chopin tradition and Scriabin’s innovative compositions, repeatedly assigned to...
This paper focuses on Chopin’s Prelude in G minor, op. 28, no. 22, which derives its passionate char...
No genre was more central to Chopin’s music than his mazurkas, of which he wrote fifty-eight spannin...
Includes abstract and vita.This dissertation argues that Heinrich Schenker's mature analytical techn...
My analysis of the two Opus 27 Nocturnes grew out of my prior instinct (when performing these two p...
This document examines some passages in Frederic Chopin’s fourth Ballade, Op. 52 and identifies its ...
The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great numbe...
The late chromatic music of Chopin is often difficult to analyze, particularly with a system of Roma...
This dissertation examines Chopin’s 17 waltzes as a collection of miniature works, which I broadly c...
Proposes the H-E-L-M-C-K-E hermeneutic to decode Historical, Extramusical, Linguistic, (intra)Musica...
The analytical approach of this paper synthesises recent extensions of Schenkerian theory that make...
217 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1980.The dissertation named is a ...
This dissertation has four principal goals: 1. to provide Heinrich Schenker's theoretical notion of...
Chopin’s twenty-seven piano études display the composer’s poetic musical language, uniting keyboard ...
This thesis focuses on the relationship between piano performance and Schenkerian analysis. Schenker...
The connections with Chopin tradition and Scriabin’s innovative compositions, repeatedly assigned to...
This paper focuses on Chopin’s Prelude in G minor, op. 28, no. 22, which derives its passionate char...
No genre was more central to Chopin’s music than his mazurkas, of which he wrote fifty-eight spannin...
Includes abstract and vita.This dissertation argues that Heinrich Schenker's mature analytical techn...
My analysis of the two Opus 27 Nocturnes grew out of my prior instinct (when performing these two p...
This document examines some passages in Frederic Chopin’s fourth Ballade, Op. 52 and identifies its ...
The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great numbe...
The late chromatic music of Chopin is often difficult to analyze, particularly with a system of Roma...
This dissertation examines Chopin’s 17 waltzes as a collection of miniature works, which I broadly c...
Proposes the H-E-L-M-C-K-E hermeneutic to decode Historical, Extramusical, Linguistic, (intra)Musica...