This paper examines a recently introduced technique for sound synthesis that uses a coefficient modulated allpass filter to cause phase modifications to its input signal. The intention in this work is to outline some of the properties of the coefficient modulated allpass filter and then to establish a connection between this new method and the older technique of Phase Distortion. Results are presented to demonstrate how the allpass technique provides a spectrally richer output signal
The global spectral envelope is particularly important in the perception of sound. The use of a para...
This paper will consider wave and phase signal shaping techniques for the digital emulation of disto...
A recently rediscovered sound synthesis method, which is based on feedback amplitude modulation (FBA...
This paper examines a recently introduced technique for sound synthesis that uses a coefficient mod...
This article discusses Phase Distortion synthesis and its application to arbitrary input signals. T...
Recent work has shown that if the coefficients of a first-order allpass filter are modulated over ti...
Frequency-modulation (FM) synthesis is widely known as a computationally efficient method for synthe...
This article describes methods of sound synthesis based on auditory distortion products, often calle...
This article describes an adaptive synthesis technique based on frequency (phase) modulation of arbi...
This article provides an overview of further methods for producing hybrid natural-synthetic spectra ...
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic P...
This article presents new spectral analysis-synthesis approaches to musical signal transformation. T...
Filters with constant phase shift in conjunction with 3/6 dB amplitude decay per octave frequently o...
This paper deals with aliasing distortion in digital audio signal synthesis of classic periodic wave...
The theory and applications of a variant of the well-known synthesis method of frequency modulation...
The global spectral envelope is particularly important in the perception of sound. The use of a para...
This paper will consider wave and phase signal shaping techniques for the digital emulation of disto...
A recently rediscovered sound synthesis method, which is based on feedback amplitude modulation (FBA...
This paper examines a recently introduced technique for sound synthesis that uses a coefficient mod...
This article discusses Phase Distortion synthesis and its application to arbitrary input signals. T...
Recent work has shown that if the coefficients of a first-order allpass filter are modulated over ti...
Frequency-modulation (FM) synthesis is widely known as a computationally efficient method for synthe...
This article describes methods of sound synthesis based on auditory distortion products, often calle...
This article describes an adaptive synthesis technique based on frequency (phase) modulation of arbi...
This article provides an overview of further methods for producing hybrid natural-synthetic spectra ...
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic P...
This article presents new spectral analysis-synthesis approaches to musical signal transformation. T...
Filters with constant phase shift in conjunction with 3/6 dB amplitude decay per octave frequently o...
This paper deals with aliasing distortion in digital audio signal synthesis of classic periodic wave...
The theory and applications of a variant of the well-known synthesis method of frequency modulation...
The global spectral envelope is particularly important in the perception of sound. The use of a para...
This paper will consider wave and phase signal shaping techniques for the digital emulation of disto...
A recently rediscovered sound synthesis method, which is based on feedback amplitude modulation (FBA...