This paper presents a method for estimating the amplitude of coincident partials generated by harmonic musical sources ( instruments and vocals). It was developed as an alternative to the commonly used interpolation approach, which has several limitations in terms of performance and applicability. The strategy is based on the following observations: ( a) the parameters of partials vary with time; (b) such a variation tends to be correlated when the partials belong to the same source; ( c) the presence of an interfering coincident partial reduces the correlation; and (d) such a reduction is proportional to the relative amplitude of the interfering partial. Besides the improved accuracy, the proposed technique has other advantages over its pr...
Abstract—In many (audio) processing algorithms, involving manipulation of discrete-time signals, the...
Abstract—This paper presents a maximum-likelihood approach to multiple fundamental frequency (F0) es...
Abstract: This article presents an offline method for aligning an audio signal to individual instrum...
This paper presents a method for estimating the amplitude of coincident partials generated by harmon...
Many music signals can largely be considered an additive combination of multiple sources, such as mu...
This paper addresses the problem of separation of pitched sounds in monaural recordings. We present ...
This paper proposes a method for the multi-pitch estimation of polyphonic music signals. Instead of ...
cote interne IRCAM: VonColer11aNone / NoneNational audienceIn this work we present an approach for d...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
cote interne IRCAM: Yeh05aNone / NoneNational audienceThis article is concerned with the estimation ...
The objective of this research is to improve the analysis of musical sounds in comparison to tradit...
This study presents efficient techniques for multiple fundamental frequency estimation in music sign...
In this work we investigate aperiodicities that occur in the sustained portion of a sound due to pha...
In many (audio) processing algorithms, involving manipulation of discrete-time signals, the performa...
Monaural sound source separation is the process of separating sound sources from a single channel mi...
Abstract—In many (audio) processing algorithms, involving manipulation of discrete-time signals, the...
Abstract—This paper presents a maximum-likelihood approach to multiple fundamental frequency (F0) es...
Abstract: This article presents an offline method for aligning an audio signal to individual instrum...
This paper presents a method for estimating the amplitude of coincident partials generated by harmon...
Many music signals can largely be considered an additive combination of multiple sources, such as mu...
This paper addresses the problem of separation of pitched sounds in monaural recordings. We present ...
This paper proposes a method for the multi-pitch estimation of polyphonic music signals. Instead of ...
cote interne IRCAM: VonColer11aNone / NoneNational audienceIn this work we present an approach for d...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
cote interne IRCAM: Yeh05aNone / NoneNational audienceThis article is concerned with the estimation ...
The objective of this research is to improve the analysis of musical sounds in comparison to tradit...
This study presents efficient techniques for multiple fundamental frequency estimation in music sign...
In this work we investigate aperiodicities that occur in the sustained portion of a sound due to pha...
In many (audio) processing algorithms, involving manipulation of discrete-time signals, the performa...
Monaural sound source separation is the process of separating sound sources from a single channel mi...
Abstract—In many (audio) processing algorithms, involving manipulation of discrete-time signals, the...
Abstract—This paper presents a maximum-likelihood approach to multiple fundamental frequency (F0) es...
Abstract: This article presents an offline method for aligning an audio signal to individual instrum...