En torno a la idea de juego a partir de dos escenas de Calderón

This work deals with a certain idea of game in Calderón, starting from two metatheatrical scenes, which consists in being actor of one-self. At first it is analysed how the game works from a dramatic point of view in El mayor encanto, amor. Then the conceptual progression of this idea in Los cabellos de Absalón is studied. Finally, the author puts the scope of this Calderonian idea of game into perspective by considering some contemporary focuses on mimesis and the necessity of theatre.&nbsp