The present article examines the authorship of the comedy Los empeños de un acaso. This work was published in several editions with two different titles: Los empeños de un acaso and Los empeños que se ofrecen. This could explain that the comedy was attributed in different editions to Calderón de la Barca and Juan Pérez de Montalbán. This paper defends Calderón’s authorship: although the Golden Age Comedy in general shares certain stylistic conventions, it is clear that Calderón reiterates specific issues and treatments in his swashbuckling comedies. In this context, the article deals with three different aspects: the mention of the locus amoenus, the allusion to Madrid as a populous city, and some metaliterary commentaries
Spanish Golden Age Culture is an age of secrets and secrecy. Among its playwrights, Pedro Calderón d...
This paper explores the possible knowledge that some authors of the Golden Age may have about certai...
Este trabajo versa sobre la faceta cómica de Calderón como hombre de burlas. El autor pasa revista a...
The most recent bibliography comes lending noble attention to the Calderonian rewriting of his own w...
The present work shows that La conquista del alma, a comedy attributed to Calderón, is a «contrafact...
A vast bibliography exists on the figura del donaire in Golden Age Spanish Theatre. Critical studies...
Starting from the fundamental premise of the insufficiency of a purely descriptive approximation to ...
El artículo reflexiona sobre algunas cuestiones relacionadas con la taxonomía genérica de la obra ca...
Las piezas de carácter risueño y final feliz escritas en el Siglo de Oro se alejan de la comicidad ba...
For his contemporaries, Calderón was probably an author primarily comic, because, at the time...
A comedy without long runs in «romance» like «relaciones», name used by cont...
Spanish Golden Age Culture is an age of secrets and secrecy. Among its playwrights, Pedro Calderón d...
En este trabajo pretendo mostrar cómo queda reflejada la figura de Pedro Calderón de la Barca en la c...
This paper describes and analyzes the highlights of a play <em>El castillo de Lindabridis</em> of Ca...
It has been traditionally accepted that from 1651 on, when Calderón de la Barca became a priest, the...
Spanish Golden Age Culture is an age of secrets and secrecy. Among its playwrights, Pedro Calderón d...
This paper explores the possible knowledge that some authors of the Golden Age may have about certai...
Este trabajo versa sobre la faceta cómica de Calderón como hombre de burlas. El autor pasa revista a...
The most recent bibliography comes lending noble attention to the Calderonian rewriting of his own w...
The present work shows that La conquista del alma, a comedy attributed to Calderón, is a «contrafact...
A vast bibliography exists on the figura del donaire in Golden Age Spanish Theatre. Critical studies...
Starting from the fundamental premise of the insufficiency of a purely descriptive approximation to ...
El artículo reflexiona sobre algunas cuestiones relacionadas con la taxonomía genérica de la obra ca...
Las piezas de carácter risueño y final feliz escritas en el Siglo de Oro se alejan de la comicidad ba...
For his contemporaries, Calderón was probably an author primarily comic, because, at the time...
A comedy without long runs in «romance» like «relaciones», name used by cont...
Spanish Golden Age Culture is an age of secrets and secrecy. Among its playwrights, Pedro Calderón d...
En este trabajo pretendo mostrar cómo queda reflejada la figura de Pedro Calderón de la Barca en la c...
This paper describes and analyzes the highlights of a play <em>El castillo de Lindabridis</em> of Ca...
It has been traditionally accepted that from 1651 on, when Calderón de la Barca became a priest, the...
Spanish Golden Age Culture is an age of secrets and secrecy. Among its playwrights, Pedro Calderón d...
This paper explores the possible knowledge that some authors of the Golden Age may have about certai...
Este trabajo versa sobre la faceta cómica de Calderón como hombre de burlas. El autor pasa revista a...