Add to ORKGIn this article the author proposes an overall reconsideration of the Martin Schongauer’s reception as engraver in Italian art and literature during the sixteenth and seventeenth centuries, paying constant attention to the surviving sources. Especially, the author investigates Schongauer’s position as Dürer’s master, his recognized role as initiator of the Nordic engraving, and the different ways in which his famous prints were reproduced in Italy
International audienceRome, like other major European cities, was a main site of lithographic produc...
This article is devoted to Luigi Lanzi (1732-1810), one of the key cultural figures of the late Ital...
International audienceRome, like other major European cities, was a main site of lithographic produc...
In this article the author proposes an overall reconsideration of the Martin Schongauer’s reception ...
In this article the author proposes an overall reconsideration of the relationships of Marcantonio R...
This article probes into the little explored topic of Johann Wolfgang von Goethe’s hunt for, obsessi...
Martin Schongauer (Alsation, ca. 1450 - 1491) was a painter and engraver having tremendous influence...
International audienceThis article describes prints made by other artists using the subject matter o...
Characterized by an interdisciplinary approach crossing history of art, history of literature, theor...
Au début du XVIè siècle, le territoire germanique apparaît comme le foyer de réception non seulement...
This dissertation seeks to reframe the way in which the prints of the incisori Mantovani, Giovanni B...
Albrecht Dürer was German, but it was Italy he loved and followed the example of. Along with Erasmus...
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...
This dissertation is the first study of early modern mining and metallurgy from an art-historical pe...
n the first half of the Eighteenth century grows up an important interest in Medieval and Renaissanc...
International audienceRome, like other major European cities, was a main site of lithographic produc...
This article is devoted to Luigi Lanzi (1732-1810), one of the key cultural figures of the late Ital...
International audienceRome, like other major European cities, was a main site of lithographic produc...
In this article the author proposes an overall reconsideration of the Martin Schongauer’s reception ...
In this article the author proposes an overall reconsideration of the relationships of Marcantonio R...
This article probes into the little explored topic of Johann Wolfgang von Goethe’s hunt for, obsessi...
Martin Schongauer (Alsation, ca. 1450 - 1491) was a painter and engraver having tremendous influence...
International audienceThis article describes prints made by other artists using the subject matter o...
Characterized by an interdisciplinary approach crossing history of art, history of literature, theor...
Au début du XVIè siècle, le territoire germanique apparaît comme le foyer de réception non seulement...
This dissertation seeks to reframe the way in which the prints of the incisori Mantovani, Giovanni B...
Albrecht Dürer was German, but it was Italy he loved and followed the example of. Along with Erasmus...
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...
This dissertation is the first study of early modern mining and metallurgy from an art-historical pe...
n the first half of the Eighteenth century grows up an important interest in Medieval and Renaissanc...
International audienceRome, like other major European cities, was a main site of lithographic produc...
This article is devoted to Luigi Lanzi (1732-1810), one of the key cultural figures of the late Ital...
International audienceRome, like other major European cities, was a main site of lithographic produc...