Las comedias húngaras de Lope de Vega: una cadena de intertextualidad y reescritura

In between the group of plays about the Hungarian history, Lope de Vega has three comedies with some similarities: The Melancholic Prince, The Sane Insane and The Ring of Oblivion. This work aims to examine the relationships of intertextuality and rewriting between the three plays, and also some characteristics of the development of Lope de Vega's palatial comedy.In between the group of plays about the Hungarian history, Lope de Vega has three comedies with some similarities: The Melancholic Prince, The Sane Insane and The Ring of Oblivion. This work aims to examine the relationships of intertextuality and rewriting between the three plays, and also some characteristics of the development of Lope de Vega’s palatial comedy.Dentro del conjunto de comedias dedicadas a la historia de Hungría, Lope de Vega cuenta con tres comedias con numerosas similitudes: El príncipe melancólico, El cuerdo loco y La sortija del olvido. Este trabajo examina las relaciones de intertextualidad y reescritura en las tres obras, así como algunos aspectos del desarrollo de la comedia palatina lopesca