Add to ORKGThe tradition of the literary retelling is not anew: classical authors like Omero have been quoted and revisited a number of times. Japanese literary responses to 11th March catastrophe seem to follow a similar trend. This brief research aims to investigate Nakamori Akio and Kawakami Hiromi 2011 novels as examples of literary remakes in a new “catastrophic” perspective: the attempt is to demonstrate how catastrophe influences the communication of trauma in literature. The research underlines analogies and differences between the original versions and the remaking under the 3/11 keyword, suggesting the need to communicate trauma as the main reason for the rewriting
While pioneers of trauma studies such as Cathy Caruth and Shosana Felman have focused on cultural tr...
Every disaster outbreak in human history has either implicitly or explicitly promoted literary creat...
In this thesis the subject of grief and healing are examined in three novels by the Japanese writers...
The tradition of the literary retelling is not anew: classical authors like Omero have been quoted a...
The literary responses to Fukushima disaster appeared in the last few years highlighted the similari...
"The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3....
The purpose of this thesis is to examine three major turning points in Japanese history and the evol...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
World War II effected catastrophic change over much of the world. In the present, this event still a...
The impact of the 2011 Tōhoku earthquake and tsunami that hit Japan on the 11th of March (3.11) exte...
This PhD forms a response to the silences inherent in dominant narratives of disaster, which focus o...
Textual agency plays a fundamental role with regard to the literary production devoted to catastroph...
This study focuses on four 21st Century Malaysian novels about the Japanese Occupation, written in E...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
While pioneers of trauma studies such as Cathy Caruth and Shosana Felman have focused on cultural tr...
Every disaster outbreak in human history has either implicitly or explicitly promoted literary creat...
In this thesis the subject of grief and healing are examined in three novels by the Japanese writers...
The tradition of the literary retelling is not anew: classical authors like Omero have been quoted a...
The literary responses to Fukushima disaster appeared in the last few years highlighted the similari...
"The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3....
The purpose of this thesis is to examine three major turning points in Japanese history and the evol...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
World War II effected catastrophic change over much of the world. In the present, this event still a...
The impact of the 2011 Tōhoku earthquake and tsunami that hit Japan on the 11th of March (3.11) exte...
This PhD forms a response to the silences inherent in dominant narratives of disaster, which focus o...
Textual agency plays a fundamental role with regard to the literary production devoted to catastroph...
This study focuses on four 21st Century Malaysian novels about the Japanese Occupation, written in E...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
While pioneers of trauma studies such as Cathy Caruth and Shosana Felman have focused on cultural tr...
Every disaster outbreak in human history has either implicitly or explicitly promoted literary creat...
In this thesis the subject of grief and healing are examined in three novels by the Japanese writers...