Add to ORKGA critique of Adorno's theory of music and language. The essay explores the difficulties of Adorno in understanding contemporary classical music since the 50's and jazz. The essay suggests that Adorno's categories are dependent on the practices of writing in verbal-phonetic alphabet and writing music on the staff, also on the theme-development model
Over the last thirty years after Adorno\u27s death(1969) the situation of music culture of the world...
[EN] Adorno's early musical writings offer a crucial insight into his intellectual physiognomy and i...
Adorno è un autore oramai classico, riferimento irrinunciabile per ricerche di natura filosofica, so...
A critique of Adorno's theory of music and language. The essay explores the difficulties of Adorno i...
This study examines the various ways in which the paradigm of music informs the account of the liter...
numero monografico: "Theodor W. Adorno (1903 - 2003) L'estetica. L'etica", a cura di Elio Matassi e ...
Abstract. This essay is based on the theories of the German musician and critic Theodor W. Adorno ...
Adorno’s irrevocable aesthetic anathema towards jazz remains one of the most crucial critical proble...
This article considers the ambivalent ontology of and disciplinary space occupied by music criticism...
There is no doubt, that Adomo's critical monographs and essays on Wagner and Strauss, as well as the...
Note:The thesis proposes to be a critical investigation of T. w. Adorno's I philosophy of modern mus...
In this essay the author takes into consideration some critical characteristics and particular thema...
My article explores some aspects of Theodor W. Adorno's work in relation to contemporary music in ge...
In this essay I draw attention to conceptual similarities in Walter Benjamin's and Theodor W. Adorno...
Theodor W. Adorno, the towering twentieth century German intellectual figure and distinctive musical...
Over the last thirty years after Adorno\u27s death(1969) the situation of music culture of the world...
[EN] Adorno's early musical writings offer a crucial insight into his intellectual physiognomy and i...
Adorno è un autore oramai classico, riferimento irrinunciabile per ricerche di natura filosofica, so...
A critique of Adorno's theory of music and language. The essay explores the difficulties of Adorno i...
This study examines the various ways in which the paradigm of music informs the account of the liter...
numero monografico: "Theodor W. Adorno (1903 - 2003) L'estetica. L'etica", a cura di Elio Matassi e ...
Abstract. This essay is based on the theories of the German musician and critic Theodor W. Adorno ...
Adorno’s irrevocable aesthetic anathema towards jazz remains one of the most crucial critical proble...
This article considers the ambivalent ontology of and disciplinary space occupied by music criticism...
There is no doubt, that Adomo's critical monographs and essays on Wagner and Strauss, as well as the...
Note:The thesis proposes to be a critical investigation of T. w. Adorno's I philosophy of modern mus...
In this essay the author takes into consideration some critical characteristics and particular thema...
My article explores some aspects of Theodor W. Adorno's work in relation to contemporary music in ge...
In this essay I draw attention to conceptual similarities in Walter Benjamin's and Theodor W. Adorno...
Theodor W. Adorno, the towering twentieth century German intellectual figure and distinctive musical...
Over the last thirty years after Adorno\u27s death(1969) the situation of music culture of the world...
[EN] Adorno's early musical writings offer a crucial insight into his intellectual physiognomy and i...
Adorno è un autore oramai classico, riferimento irrinunciabile per ricerche di natura filosofica, so...
