Although the arousal of disgust is now widely acknowledged to be an appropriate response to certain works of art, controversy remains regarding whether to consider this emotion an actual zone of appreciative enjoyment. This paper presents several solutions to the so-called paradox of aversion and argues for a brand of aesthetic disgust that produces an experience that can be savored despite its difficult and unpleasant qualities
Examines this forceful emotion from philosophical, literary, and art historical perspectives. "Disgu...
The new synthesis about disgust is that it is a system that evolved to motivate infectious disease a...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...
A growing interest for the emotion of disgust has recently arisen in international contexts acrossse...
Disgust is an emotion traditionally dismissed from aesthetic consideration because it seems to be so...
It has been recently argued, contrary to the received eighteenth-century view, that disgust is compa...
Carolyn Korsmeyer has offered some compelling arguments for the role of disgust in aesthetic appreci...
Contemporary discussions of the problem of ugliness in Kant’s aesthetic theory have, to my knowledge...
Disgust has been a perennial feature of art from medieval visions of hell to postmodern travesties. ...
Disgust is a negative emotion, and as such, it is frequently assumed that its only function is to ge...
The paper explores the connections between disgust and contempt, arguing that contempt as a visceral...
Is disgust morally valuable? The answer to that question turns, in large part, on what we can do to ...
Psychological aesthetics, for the most part, is concerned with people's feelings of pleasure in resp...
Disgust is a frequent and often powerful part of the cinematic experience – from horror movies and t...
Although disgust was identified as a basic emotion 125 years ago (Darwin, 1965), no psychological th...
Examines this forceful emotion from philosophical, literary, and art historical perspectives. "Disgu...
The new synthesis about disgust is that it is a system that evolved to motivate infectious disease a...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...
A growing interest for the emotion of disgust has recently arisen in international contexts acrossse...
Disgust is an emotion traditionally dismissed from aesthetic consideration because it seems to be so...
It has been recently argued, contrary to the received eighteenth-century view, that disgust is compa...
Carolyn Korsmeyer has offered some compelling arguments for the role of disgust in aesthetic appreci...
Contemporary discussions of the problem of ugliness in Kant’s aesthetic theory have, to my knowledge...
Disgust has been a perennial feature of art from medieval visions of hell to postmodern travesties. ...
Disgust is a negative emotion, and as such, it is frequently assumed that its only function is to ge...
The paper explores the connections between disgust and contempt, arguing that contempt as a visceral...
Is disgust morally valuable? The answer to that question turns, in large part, on what we can do to ...
Psychological aesthetics, for the most part, is concerned with people's feelings of pleasure in resp...
Disgust is a frequent and often powerful part of the cinematic experience – from horror movies and t...
Although disgust was identified as a basic emotion 125 years ago (Darwin, 1965), no psychological th...
Examines this forceful emotion from philosophical, literary, and art historical perspectives. "Disgu...
The new synthesis about disgust is that it is a system that evolved to motivate infectious disease a...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...