The cinematographic detail is a relevant aesthetical component. It can be neither isolated nor explained by the foreground scenery. It is necessary to consider the specific aspects of cinematic details within a wider framework, which includes both incidental and transversal components. The paper shows how filmography directors like Jean-Pierre Jeunet and Wes Anderson clarify a new perspective on this topic
This study analyzes the work of film director Wes Anderson with the aim of describing the role that ...
In this paper, the intensive temporality at work in cinematographic images will be the object of a s...
A partire da alcuni case studies nei musical e nei film di finzione contemporanei l'articolo analizz...
The cinematographic detail is a relevant aesthetical component. It can be neither isolated nor expla...
This essay describes some aspects of the cinematographic object understood not only as an artistic p...
In the aesthetic production of Dino Formaggio there are no pages explicitly dedicated to cinema. How...
One of the peculiar characters of hyperrealism can be seen in the tension that emerges from the tran...
This paper offers a comparative reading of the film È stato il figlio by Daniele Ciprì through sever...
The article starts from the assumption that a certain role of chance, perhaps controlled, or guided,...
Traditionally, the artist’s creative activity has remained hidden in his studio. Cinema, however, ha...
Delving into the Husserlian manuscripts on Phantasy, Image Consciousness and Memory which are to be ...
La Jetée (1962) is a Chris Marker movie composed by still images, photographs, with the exception o...
Images have the power to transform physical absence into iconic presence: this is where the paradox ...
People’s Park (2012), Leviathan (2012), Foreign Parts (2010), the most representative films of the S...
The article is dedicated to the analysis of Varda’s work, Le Bonheur (1965). The montage, seemingly ...
This study analyzes the work of film director Wes Anderson with the aim of describing the role that ...
In this paper, the intensive temporality at work in cinematographic images will be the object of a s...
A partire da alcuni case studies nei musical e nei film di finzione contemporanei l'articolo analizz...
The cinematographic detail is a relevant aesthetical component. It can be neither isolated nor expla...
This essay describes some aspects of the cinematographic object understood not only as an artistic p...
In the aesthetic production of Dino Formaggio there are no pages explicitly dedicated to cinema. How...
One of the peculiar characters of hyperrealism can be seen in the tension that emerges from the tran...
This paper offers a comparative reading of the film È stato il figlio by Daniele Ciprì through sever...
The article starts from the assumption that a certain role of chance, perhaps controlled, or guided,...
Traditionally, the artist’s creative activity has remained hidden in his studio. Cinema, however, ha...
Delving into the Husserlian manuscripts on Phantasy, Image Consciousness and Memory which are to be ...
La Jetée (1962) is a Chris Marker movie composed by still images, photographs, with the exception o...
Images have the power to transform physical absence into iconic presence: this is where the paradox ...
People’s Park (2012), Leviathan (2012), Foreign Parts (2010), the most representative films of the S...
The article is dedicated to the analysis of Varda’s work, Le Bonheur (1965). The montage, seemingly ...
This study analyzes the work of film director Wes Anderson with the aim of describing the role that ...
In this paper, the intensive temporality at work in cinematographic images will be the object of a s...
A partire da alcuni case studies nei musical e nei film di finzione contemporanei l'articolo analizz...