Referring to Tadeusz Kantor’s Dead class and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception
The themes of the essay are two opposite cases, both belonging to the vast and contradictory field o...
The theatrical work of Maddalena Mazzocut-Mis, published in the volume Teatro da leggere. Mito e con...
Il saggio ripercorre alcuni momenti nella storia letteraria italiana della diffusione della maschera...
Referring to Tadeusz Kantor’s Dead class and the renowned mannequins dragged along the stage by its ...
Referring to Tadeusz Kantor\u2019s "Dead class" and the renowned mannequins dragged along the stage ...
Universally regarded as one of the twentieth century’s most subversive pièces, the Dead Class epitom...
Alla poliedrica attività di regista, pittore e ideatore di performance, Kantor ha saputo accostare, ...
The essay explores the relationship between dead bodies, statues and photographs, individuating in t...
The two scenic stagings of Kantor's production of The love and death machine, are linked, the first ...
Il saggio si concentra sulla Città morta di d’Annunzio, e ne offre una lettura condotta lungo tre d...
Alla poliedrica attivit\ue0 di regista, pittore e ideatore di performance, Kantor ha saputo accostar...
This essay attempts to draw an innovative map of melodramatic sensitivity according to specific crit...
Questo articolo propone la rivisitazione di brevi estratti letterari che esemplificano sfondo e figu...
The labyrinth is still a very effective symbol. Jannis Kounellis, Claudio Parmiggiani and Michelange...
Innovation and deep assimilation of Petronius' culture and feeling are main features of Fellini's Sa...
The themes of the essay are two opposite cases, both belonging to the vast and contradictory field o...
The theatrical work of Maddalena Mazzocut-Mis, published in the volume Teatro da leggere. Mito e con...
Il saggio ripercorre alcuni momenti nella storia letteraria italiana della diffusione della maschera...
Referring to Tadeusz Kantor’s Dead class and the renowned mannequins dragged along the stage by its ...
Referring to Tadeusz Kantor\u2019s "Dead class" and the renowned mannequins dragged along the stage ...
Universally regarded as one of the twentieth century’s most subversive pièces, the Dead Class epitom...
Alla poliedrica attività di regista, pittore e ideatore di performance, Kantor ha saputo accostare, ...
The essay explores the relationship between dead bodies, statues and photographs, individuating in t...
The two scenic stagings of Kantor's production of The love and death machine, are linked, the first ...
Il saggio si concentra sulla Città morta di d’Annunzio, e ne offre una lettura condotta lungo tre d...
Alla poliedrica attivit\ue0 di regista, pittore e ideatore di performance, Kantor ha saputo accostar...
This essay attempts to draw an innovative map of melodramatic sensitivity according to specific crit...
Questo articolo propone la rivisitazione di brevi estratti letterari che esemplificano sfondo e figu...
The labyrinth is still a very effective symbol. Jannis Kounellis, Claudio Parmiggiani and Michelange...
Innovation and deep assimilation of Petronius' culture and feeling are main features of Fellini's Sa...
The themes of the essay are two opposite cases, both belonging to the vast and contradictory field o...
The theatrical work of Maddalena Mazzocut-Mis, published in the volume Teatro da leggere. Mito e con...
Il saggio ripercorre alcuni momenti nella storia letteraria italiana della diffusione della maschera...