This article explores Robert Southey’s attitudes to London, using his often negative reactions as a means of examining his construction of his identity while also employing his works as a prism through which to consider the social and representational problems that the late-eighteenth and early-nineteenth-century city presented for literary writers. It places Southey’s handful of London-related poems in the context of his wider oeuvre by analysing his correspondence, his Letters from England (1807), and the Colloquies (1829). Through looking at consonances with works by William Wordsworth, Samuel Taylor Coleridge, and Edmund Burke, among others, the article shows how Southey constructed a vision of London as a place of perverted sublimity, ...