An account of the representation of Scotland in early cinema from 1896 to 1927, tracing the significance of literary tours, popular songs, novels and plays for securing a place in the international imaginary. It notes the popularity of Scottish literature and romance in cinema while noting, at the same time, the absence of an indigenous and sustainable feature film industry that could exploit this popularity. The article is informed by a reading of trade press accounts of films, most of which no longer exist as preserved prints
In the years during and immediately after the first world war, a number of Scottish burghs considere...
Trevor Griffiths, The Cinema and Cinema-Going in Scotland, 1896-1950. Edinburgh University Press, 20...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
An account of the representation of Scotland in early cinema from 1896 to 1927, tracing the signific...
The popularity of cinema and cinema-going in Scotland was exceptional. By 1929 Glasgow had 127 cinem...
The popularity of cinema and cinema-going in Scotland was exceptional. By 1929 Glasgow had 127 cinem...
In the field of cinema history, an increased interest in social experience and context has challenge...
In the field of cinema history, an increased interest in social experience and context has challenge...
This thesis addresses a neglected area of British national cinema history, presenting the first com...
In the field of cinema history, an increased interest in social experience and context has challenge...
This article will consider the tantalising fragments of the Scottish voice in the early talkies, exp...
The genesis of this video essay lies in an article that we co-authored on Scotland, cinema and the F...
The genesis of this video essay lies in an article that we co-authored on Scotland, cinema and the F...
This article discusses two experiments that aimed to establish the educational value of cinema: the ...
is a fascinating inquiry into the nature of contemporary Scottish cinema. In this study, Martin-Jone...
In the years during and immediately after the first world war, a number of Scottish burghs considere...
Trevor Griffiths, The Cinema and Cinema-Going in Scotland, 1896-1950. Edinburgh University Press, 20...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
An account of the representation of Scotland in early cinema from 1896 to 1927, tracing the signific...
The popularity of cinema and cinema-going in Scotland was exceptional. By 1929 Glasgow had 127 cinem...
The popularity of cinema and cinema-going in Scotland was exceptional. By 1929 Glasgow had 127 cinem...
In the field of cinema history, an increased interest in social experience and context has challenge...
In the field of cinema history, an increased interest in social experience and context has challenge...
This thesis addresses a neglected area of British national cinema history, presenting the first com...
In the field of cinema history, an increased interest in social experience and context has challenge...
This article will consider the tantalising fragments of the Scottish voice in the early talkies, exp...
The genesis of this video essay lies in an article that we co-authored on Scotland, cinema and the F...
The genesis of this video essay lies in an article that we co-authored on Scotland, cinema and the F...
This article discusses two experiments that aimed to establish the educational value of cinema: the ...
is a fascinating inquiry into the nature of contemporary Scottish cinema. In this study, Martin-Jone...
In the years during and immediately after the first world war, a number of Scottish burghs considere...
Trevor Griffiths, The Cinema and Cinema-Going in Scotland, 1896-1950. Edinburgh University Press, 20...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...