This paper is broadly concerned with community engagement as a facet of museum practice. The paper offers a reading of a community exhibition entitled Curious, held at St Mungo’s Museum of Religious Life and Art in the city of Glasgow. I take the reader on a tour of the exhibition, offering insights into its form and function. I show how community exhibitions can pose challenges to traditional museum practice by disrupting taken-for-granted assumptions about curatorial authority, and I emphasize both the range of meanings that can be attached to museum objects and the radical potential of including non-expert knowledge in the creation of displays and exhibitions. I also argue, however, that community exhibitions may be understood as poor re...
Through a case study, this thesis explores how Nordenfjeldske Museum of Decorative Arts and Design (...
This article examines the complexities inherent in creating social history displays which honestly r...
Increasing numbers of museums and galleries worldwide have developed an array of working practices t...
This paper is broadly concerned with community engagement as a facet of museum practice. The paper o...
This edited volume critically engages with contemporary scholarship on museums and their engagement ...
During the past forty years, museums and galleries have increasingly become platforms for fashion di...
The problem of museums and their objects The focus on community involvement in museum practices may ...
This critical reflection originated in a visit to the ‘Artists and Academics’ exhibition held at Far...
This paper discusses two key elements in the field of museums: a summary of the concept of the commu...
"Throwing open to debate the practices of museums, galleries, and festivals, Exhibiting Cultures pro...
The following paper is an attempt to explore the internal dynamics of small community museums. This ...
New media museum exhibits often see designers representing the research of expert content providers....
In this thesis, I address the role of museums in contemporary Scotland, with specific reference to ...
This paper argues that community consultation is not always a democratic process as power often resi...
Since the ‘new museology’ (Vergo 1989), curating exhibitions has become a contested task. Participat...
Through a case study, this thesis explores how Nordenfjeldske Museum of Decorative Arts and Design (...
This article examines the complexities inherent in creating social history displays which honestly r...
Increasing numbers of museums and galleries worldwide have developed an array of working practices t...
This paper is broadly concerned with community engagement as a facet of museum practice. The paper o...
This edited volume critically engages with contemporary scholarship on museums and their engagement ...
During the past forty years, museums and galleries have increasingly become platforms for fashion di...
The problem of museums and their objects The focus on community involvement in museum practices may ...
This critical reflection originated in a visit to the ‘Artists and Academics’ exhibition held at Far...
This paper discusses two key elements in the field of museums: a summary of the concept of the commu...
"Throwing open to debate the practices of museums, galleries, and festivals, Exhibiting Cultures pro...
The following paper is an attempt to explore the internal dynamics of small community museums. This ...
New media museum exhibits often see designers representing the research of expert content providers....
In this thesis, I address the role of museums in contemporary Scotland, with specific reference to ...
This paper argues that community consultation is not always a democratic process as power often resi...
Since the ‘new museology’ (Vergo 1989), curating exhibitions has become a contested task. Participat...
Through a case study, this thesis explores how Nordenfjeldske Museum of Decorative Arts and Design (...
This article examines the complexities inherent in creating social history displays which honestly r...
Increasing numbers of museums and galleries worldwide have developed an array of working practices t...