Hand knitting of woollen clothing by women was a key economic activity throughout the nineteenth and for most of the twentieth century in the Shetland islands. It integrated women into the market and enabled women to construct an identity for themselves based on their relationship with production and the wider economy. Generally regarded as a either a backward remnant of the pre-industrial economy or a traditional craft with little economic value, hand knitting does not belong to the story of women's work and independence in the modern industrial era. This article argues that hand knitting and the means by which it was produced and traded occupied a central place in the web of female relationships on the islands, helping to create a female ...
In comparison with needlework, knitting has always been regarded as a rather humble domestic art, an...
This article investigates the relationship between people and their things when the consumer or owne...
This chapter is concerned with the experience of wearing homemade clothes in contemporary British cu...
Knowledge of the economy and culture of knitted textiles in Scotland since the late eighteenth centu...
We contend that traditional constructions of textile-focused craft work are highly gendered, often p...
This thesis traces the development of the Shetland hand knitting industry from 1790 to 1950; the ori...
This thesis explores how women form, perceive and communicate their sense of identity by hand knitt...
In a recent review of identity and heritage, Tilley (2007) argued that the freedom to construct and ...
The study traces the emergence of handknitting as an industry in Scotland, and follows its course i...
This article explores design innovation approaches in the creative economy in the Northern Isles of ...
This thesis tells the story of Shetland knitted lace. It is a history that comprises more than a ser...
This article examines the renewed popularity of the handmade by examining the current renaissance in...
Thinking of social media participation in terms of doing work may seem a strange proposition. Yet, s...
In a recent review of identity and heritage, Tilley (2007) argued that the freedom to construct and ...
Thinking of social media participation in terms of doing work may seem a strange proposition. Yet, s...
In comparison with needlework, knitting has always been regarded as a rather humble domestic art, an...
This article investigates the relationship between people and their things when the consumer or owne...
This chapter is concerned with the experience of wearing homemade clothes in contemporary British cu...
Knowledge of the economy and culture of knitted textiles in Scotland since the late eighteenth centu...
We contend that traditional constructions of textile-focused craft work are highly gendered, often p...
This thesis traces the development of the Shetland hand knitting industry from 1790 to 1950; the ori...
This thesis explores how women form, perceive and communicate their sense of identity by hand knitt...
In a recent review of identity and heritage, Tilley (2007) argued that the freedom to construct and ...
The study traces the emergence of handknitting as an industry in Scotland, and follows its course i...
This article explores design innovation approaches in the creative economy in the Northern Isles of ...
This thesis tells the story of Shetland knitted lace. It is a history that comprises more than a ser...
This article examines the renewed popularity of the handmade by examining the current renaissance in...
Thinking of social media participation in terms of doing work may seem a strange proposition. Yet, s...
In a recent review of identity and heritage, Tilley (2007) argued that the freedom to construct and ...
Thinking of social media participation in terms of doing work may seem a strange proposition. Yet, s...
In comparison with needlework, knitting has always been regarded as a rather humble domestic art, an...
This article investigates the relationship between people and their things when the consumer or owne...
This chapter is concerned with the experience of wearing homemade clothes in contemporary British cu...