Add to ORKGThis research aims to address four problems related to the sanggit and garap of banjaran stories in classical Surakarta style shadow puppet theatre (pakeliran purwa), including: (1) why banjaran stories have appeared in Javanese shadow puppet theatr
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Javan...
This article discusses the differences of puppet styles and the role of Wali towards puppet performa...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Java...
The puppetry world is known with some styles, or gagrag, such as Surakarta, Yogyakarta, East Java, B...
ABSTRACT This research is aimed to reveal several phenomena about the appearance of Tristuti Rnizina...
Young Puppeteers on Solonese Wayang Performance. The aim of these research are to identify the struc...
This paper aimed to examine the development and function of the gara-gara scene in the Surakarta sty...
Konsep The ancient art of shadow play, or ”wayang kulit” (lit. leather figures), is a unique co...
This paper aims to discover the intertextual relationship between the story Banjaran Kunthi and othe...
Wayang kulit (Javanese shadow puppet) Purwa show still has a place in the hearts of puppet lover co...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
The Various Mood Song of Yogyakarta Shadow Puppet Theater: A Case Study on Timbul Hadiprayitno, Hadi...
This paper will seek for similarities and diversities of scene structures in shadow puppet pakeliran...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Javan...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Javan...
This article discusses the differences of puppet styles and the role of Wali towards puppet performa...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Java...
The puppetry world is known with some styles, or gagrag, such as Surakarta, Yogyakarta, East Java, B...
ABSTRACT This research is aimed to reveal several phenomena about the appearance of Tristuti Rnizina...
Young Puppeteers on Solonese Wayang Performance. The aim of these research are to identify the struc...
This paper aimed to examine the development and function of the gara-gara scene in the Surakarta sty...
Konsep The ancient art of shadow play, or ”wayang kulit” (lit. leather figures), is a unique co...
This paper aims to discover the intertextual relationship between the story Banjaran Kunthi and othe...
Wayang kulit (Javanese shadow puppet) Purwa show still has a place in the hearts of puppet lover co...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
The Various Mood Song of Yogyakarta Shadow Puppet Theater: A Case Study on Timbul Hadiprayitno, Hadi...
This paper will seek for similarities and diversities of scene structures in shadow puppet pakeliran...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Javan...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Javan...
This article discusses the differences of puppet styles and the role of Wali towards puppet performa...
Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Java...