This article intends to be a concrete contribution to the study of the imaginary component in literary works, within the field of the Poetics of the Imaginary. It also deals with its psycological-anthropological bases and its outstanding features in the text. You can find the roots for this component in the so-called 'creative fantasy', from a psycological-psycoanalistic perspective. After Freud's and his disciples' investigations upon unconscious, Psychoanalistic criticism, Psycocritics, Mytocritics and Mytoanalysis have tried to give a satisfactory explanation to the meaning of literary works —these understood as a result of the actualization of the unconscious through latent fantasy. But only the Poetics of the Imaginary, in its ...