The aim of this paper is to analyse the different factors which determine the choice of one of the two variants of the second person singular pronoun, You or Thou, by the various characters of Shakespeare's play The Two Gentlemen of Verona. The total number of you and thou forms which constitute this corpus is 777. Each of these forms has been analyzed taking into account the social relationships of power and solidarity established between the interlocutors, as well as the variables of social class and sex. In addition, emotional factors have been considered. It is not my intention to extrapolate the results obtained in this study to the English usage of Shakespeare's age. They simply refer to the play itself
The standard explanation of the semantics of power and solidarity for second person Middle English p...
theeAnother old form still common is the use of the singular _thee_ and _thou_ instead of the plura...
The topic of this paper is the use of second person address pronouns in Shakespeare's Early Modern E...
The aim of this paper is to analyse the different factors which determine the choice of one of the ...
It is not a recent discovery in the field of language history that the address pronouns thou and you...
The knottiest problems to do with Shakespeare's language are often those we are least aware of. Who ...
As a Venetian general, Othello is addressed with a respectful you. He, in turn, addresses Desdemona ...
This study creates a prediction model to identify which linguistic and extra-linguistic features inf...
In the succeeding section of my thesis I will make an attempt to describe the relationships between ...
This computer-aided statistical study has examined the changes which took place in the pronouns of a...
This paper originated in a double interest in you and thou, the pronouns of address in Early Modern ...
This study investigates the changing pragmatics of thou in Early Modern English dialogues. It consid...
The personal pronouns, espeacially the second personal pronouns, used by Chaucer show some differenc...
ABSTRACT Thou, Thee, Thy, Thine, Ye, You, Your, Yours: Second Person Pronouns in Two Bible Translati...
Middle English second person pronouns thou and you (T/V) are considered to be among the means employ...
The standard explanation of the semantics of power and solidarity for second person Middle English p...
theeAnother old form still common is the use of the singular _thee_ and _thou_ instead of the plura...
The topic of this paper is the use of second person address pronouns in Shakespeare's Early Modern E...
The aim of this paper is to analyse the different factors which determine the choice of one of the ...
It is not a recent discovery in the field of language history that the address pronouns thou and you...
The knottiest problems to do with Shakespeare's language are often those we are least aware of. Who ...
As a Venetian general, Othello is addressed with a respectful you. He, in turn, addresses Desdemona ...
This study creates a prediction model to identify which linguistic and extra-linguistic features inf...
In the succeeding section of my thesis I will make an attempt to describe the relationships between ...
This computer-aided statistical study has examined the changes which took place in the pronouns of a...
This paper originated in a double interest in you and thou, the pronouns of address in Early Modern ...
This study investigates the changing pragmatics of thou in Early Modern English dialogues. It consid...
The personal pronouns, espeacially the second personal pronouns, used by Chaucer show some differenc...
ABSTRACT Thou, Thee, Thy, Thine, Ye, You, Your, Yours: Second Person Pronouns in Two Bible Translati...
Middle English second person pronouns thou and you (T/V) are considered to be among the means employ...
The standard explanation of the semantics of power and solidarity for second person Middle English p...
theeAnother old form still common is the use of the singular _thee_ and _thou_ instead of the plura...
The topic of this paper is the use of second person address pronouns in Shakespeare's Early Modern E...