That conventional design practice cannot substantively address many aspects of spatial production is beyond the concern of many architects and landscape architects, who would argue that the limits of their practice do not extend beyond the formal boundaries of buildings and grounds. It is at least arguable that growing anxiety about these limits led to the emergence of landscape urbanism, some practitioners of which employ a diverse array of graphic techniques not in the service of design, but instead to identify, analyze and describe problems and phenomena related to but beyond the self-imposed limits of building and ground. Landscape urbanism's open-ended objectives expand the field of potential research subjects and the potential for co...
This paper addresses the fundamental question: How does drawing on site inform the way we think abou...
For nearly twenty years Edward Robbins, an anthropologist, has been studying and writing about the s...
An appropriate choice of medium and of drawing typology depends upon the intended function of the dr...
In recent decades, the drawing practices in landscape design and urbanism have seen a number of tran...
How do we represent the spatial and social complexities of contemporary urban environments? And why ...
Spatial design at interior, site, city and regional scales is increasingly complex, and will continu...
For centuries, architectural drawing has been considered one of the most effective representational...
By analysing landscape architectural representation, particularly drawing, the thesis contribution w...
This study aims at revealing the power of architectural representation through drawing on community ...
Despite rhetorical studies of public space, studies of its design are limited and rarely inform read...
Our tools for geocomputing help us synthesize, record, represent, and imagine the world. But, how ca...
The design crisis, specifically in the drawing of urban planning, coincided with a decisive state ca...
Examining committee chair: Liska ChanAs communities and demographics shift rapidly in the United Sta...
Can we surpass the representational nature of architecture drawing to consider and discuss the agenc...
The development of perspective drawing during the Renaissance was a watershed event in the history o...
This paper addresses the fundamental question: How does drawing on site inform the way we think abou...
For nearly twenty years Edward Robbins, an anthropologist, has been studying and writing about the s...
An appropriate choice of medium and of drawing typology depends upon the intended function of the dr...
In recent decades, the drawing practices in landscape design and urbanism have seen a number of tran...
How do we represent the spatial and social complexities of contemporary urban environments? And why ...
Spatial design at interior, site, city and regional scales is increasingly complex, and will continu...
For centuries, architectural drawing has been considered one of the most effective representational...
By analysing landscape architectural representation, particularly drawing, the thesis contribution w...
This study aims at revealing the power of architectural representation through drawing on community ...
Despite rhetorical studies of public space, studies of its design are limited and rarely inform read...
Our tools for geocomputing help us synthesize, record, represent, and imagine the world. But, how ca...
The design crisis, specifically in the drawing of urban planning, coincided with a decisive state ca...
Examining committee chair: Liska ChanAs communities and demographics shift rapidly in the United Sta...
Can we surpass the representational nature of architecture drawing to consider and discuss the agenc...
The development of perspective drawing during the Renaissance was a watershed event in the history o...
This paper addresses the fundamental question: How does drawing on site inform the way we think abou...
For nearly twenty years Edward Robbins, an anthropologist, has been studying and writing about the s...
An appropriate choice of medium and of drawing typology depends upon the intended function of the dr...