Research on the evolution of human speech and music benefits from hypotheses and data generated in a number of disciplines. The purpose of this article is to illustrate the high relevance of pinniped research for the study of speech, musical rhythm, and their origins, bridging and complementing current research on primates and birds. We briefly discuss speech, vocal learning, and rhythm from an evolutionary and comparative perspective. We review the current state of the art on pinniped communication and behavior relevant to the evolution of human speech and music, showing interesting parallels to hypotheses on rhythmic behavior in early hominids. We suggest future research directions in terms of species to test and empirical data needed
In this paper, I briefly review some comparative data that provide an empirical basis for research o...
Thesis (Ph.D.)--University of Washington, 2019This dissertation explores the social, behavioral, and...
SummaryThe tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot ...
Research on the evolution of human speech and music benefits from hypotheses and data generated in a...
Research on the evolution of human speech and music benefits from hypotheses and data generated in a...
Research on the evolution of human speech and music benefits from hypotheses and data generated in a...
A central goal of biomusicology is to understand the biological basis of human musicality. One appro...
Vocal production learning, the ability to modify the structure of vocalizations as a result of heari...
Although humans are unmatched in their capacity to produce speech and learn language, comparative ap...
Studies of the biology of music (as of language) are highly interdisciplinary and demand the integra...
Why does human speech have rhythm? As we cannot travel back in time to witness how speech developed ...
This project involves exploring the presence of music and rhythmic abilities in specific animal spec...
SummaryRhythmic entrainment, long believed an exclusive prerogative of humans, has now been demonstr...
Although humans are unmatched in their capacity to produce speech and learn language, comparative ap...
ABSTRACT: In this paper, I briefly review some comparative data that provide an empirical basis for ...
In this paper, I briefly review some comparative data that provide an empirical basis for research o...
Thesis (Ph.D.)--University of Washington, 2019This dissertation explores the social, behavioral, and...
SummaryThe tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot ...
Research on the evolution of human speech and music benefits from hypotheses and data generated in a...
Research on the evolution of human speech and music benefits from hypotheses and data generated in a...
Research on the evolution of human speech and music benefits from hypotheses and data generated in a...
A central goal of biomusicology is to understand the biological basis of human musicality. One appro...
Vocal production learning, the ability to modify the structure of vocalizations as a result of heari...
Although humans are unmatched in their capacity to produce speech and learn language, comparative ap...
Studies of the biology of music (as of language) are highly interdisciplinary and demand the integra...
Why does human speech have rhythm? As we cannot travel back in time to witness how speech developed ...
This project involves exploring the presence of music and rhythmic abilities in specific animal spec...
SummaryRhythmic entrainment, long believed an exclusive prerogative of humans, has now been demonstr...
Although humans are unmatched in their capacity to produce speech and learn language, comparative ap...
ABSTRACT: In this paper, I briefly review some comparative data that provide an empirical basis for ...
In this paper, I briefly review some comparative data that provide an empirical basis for research o...
Thesis (Ph.D.)--University of Washington, 2019This dissertation explores the social, behavioral, and...
SummaryThe tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot ...