Add to ORKGOne of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard textual forms that represent the richness of character, setting and event, and the insights into human nature they embody. In this paper I draw on approaches from literature, painting and poststructuralist philosophy to investigate the process by which words become world
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
This chapter takes a somewhat unorthodox approach to the discussion of creative writing practice by ...
As students of literature, one of the most frequent questions we encounter is: how does one write an...
This chapter sits on the critical-creative boundary and draws upon aspects of the field of cognitive...
Fiction has the capacity to imitate reality, to drastically deviate from it, and to alter mere parti...
Text World Theory, originally developed by Paul Werth and further augmented by Joanna Gavins, offers...
Text World Theory, originally developed by Paul Werth and further augmented by Joanna Gavins, offers...
As students of literature, one of the most frequent questions we encounter is: how does one write an...
grantor: University of TorontoThis thesis is a sustained discussion of the relationship be...
In this paper I take up anew the suggestion recurrent in the work of Kierkegaard and Lukács, among o...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
In this paper I take up anew the suggestion recurrent in the work of Kierkegaard and Lukács, among o...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
The author, a fiction writer, explores the relationship between the writer/artist and the so-called ...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
This chapter takes a somewhat unorthodox approach to the discussion of creative writing practice by ...
As students of literature, one of the most frequent questions we encounter is: how does one write an...
This chapter sits on the critical-creative boundary and draws upon aspects of the field of cognitive...
Fiction has the capacity to imitate reality, to drastically deviate from it, and to alter mere parti...
Text World Theory, originally developed by Paul Werth and further augmented by Joanna Gavins, offers...
Text World Theory, originally developed by Paul Werth and further augmented by Joanna Gavins, offers...
As students of literature, one of the most frequent questions we encounter is: how does one write an...
grantor: University of TorontoThis thesis is a sustained discussion of the relationship be...
In this paper I take up anew the suggestion recurrent in the work of Kierkegaard and Lukács, among o...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
In this paper I take up anew the suggestion recurrent in the work of Kierkegaard and Lukács, among o...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
The author, a fiction writer, explores the relationship between the writer/artist and the so-called ...
I continue his [Sebald's] walks in the world of ruins, of what is dead. I continue his contact with ...
This chapter takes a somewhat unorthodox approach to the discussion of creative writing practice by ...
As students of literature, one of the most frequent questions we encounter is: how does one write an...