The paper and article addressed issues arising from institutional collaboration and centralised on the ways in which display can address and involve visitors at an emotional level. It discussed the influence of oral history testimony on the project as a whole and outlined how dress in a museum context can be more than an exhibit of the disembodied clothing of the dead . The article focuses on the relationship between garments and the audience as a site of remembrance and potential discourse
The costume industry regularly utilizes vintage clothing for performance in theatre and film. Reflec...
Publisher's text about the volume: With the dramatic increase in popularity of fashion exhibitio...
I was invited by the British Library to devise and curate this exhibition promoting the new recordin...
This Costume Institute exhibition explores the aesthetic development and cultural implication...
This article develops a paper, of the same title, presented jointly by the authors at London College...
This paper explores themes of sensoriality, intimacy, expertise and authenticity in the encounter wi...
One of the greatest challenges faced when staging fashion exhibitions in a museum is how to address ...
This paper considers the ephemeral, fugitive nature of fashion in the context of documenting and pre...
Historical clothes are more than just examples of how past societies dressed—they are imbued with sm...
This article examines relationships between the museum fashion exhibit, viewing publics, and histori...
Recent museum exhibitions of contemporary fashion in London and New York have set records for visito...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
This is an edited transcript of a paper presented to the Australian Dress Register seminar, 10 Novem...
“Dries Van Noten – Inspirations”. Exhibition at Musee Des Arts Decoratifs, Paris, March 1st -Nove...
This article reflects on the film project 1914 Now: Four Perspectives on Fashion Curation (2014) in ...
The costume industry regularly utilizes vintage clothing for performance in theatre and film. Reflec...
Publisher's text about the volume: With the dramatic increase in popularity of fashion exhibitio...
I was invited by the British Library to devise and curate this exhibition promoting the new recordin...
This Costume Institute exhibition explores the aesthetic development and cultural implication...
This article develops a paper, of the same title, presented jointly by the authors at London College...
This paper explores themes of sensoriality, intimacy, expertise and authenticity in the encounter wi...
One of the greatest challenges faced when staging fashion exhibitions in a museum is how to address ...
This paper considers the ephemeral, fugitive nature of fashion in the context of documenting and pre...
Historical clothes are more than just examples of how past societies dressed—they are imbued with sm...
This article examines relationships between the museum fashion exhibit, viewing publics, and histori...
Recent museum exhibitions of contemporary fashion in London and New York have set records for visito...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
This is an edited transcript of a paper presented to the Australian Dress Register seminar, 10 Novem...
“Dries Van Noten – Inspirations”. Exhibition at Musee Des Arts Decoratifs, Paris, March 1st -Nove...
This article reflects on the film project 1914 Now: Four Perspectives on Fashion Curation (2014) in ...
The costume industry regularly utilizes vintage clothing for performance in theatre and film. Reflec...
Publisher's text about the volume: With the dramatic increase in popularity of fashion exhibitio...
I was invited by the British Library to devise and curate this exhibition promoting the new recordin...