Re(art)iculating Empowerment: Cooperative Explorations with Community Development Workers in Pakistan

Situated in the postcolonial modernizing discourse of development, many empowerment narratives tend to pre-identify, pre-construct and categorize community development workers/ mobilizers as empowered bodies, catalysts, and change agents. These bodies are expected to and are assumed will facilitate a transformation in oppressed peoples’ self image and belief’s about their rights and capabilities. Although feminist academics/activists have been critical of imperialist, neo-liberal and politico-religious co-optations of understandings of empowerment, limited attention seems to have been paid to the material effects of empowerment narratives on the lives of these community development workers. Nor does there appear to be sufficient analysis into how local community development workers/mobilizers who find themselves in precarious positions of employment, engage with these narratives. Provided with guidelines based on project objectives and lists of targets, many development workers/mobilizers in Pakistan tend to live with expectations of how best to ‘translate/transform’ empowerment from the abstract into the concrete while restricted in their space to critically reflect on theoretical notions that drive their practice. This thesis provides insight into the economy of empowerment narratives and the potential they have to mediate ‘encounters’ shaping ‘subject’ and ‘other’ by critically exploring how bodies of community development workers are put to work and are made to work. Drawing on feminists poststructuralist and postcolonial theory my work explores how these community workers/mobilizers located in the urban metropolis of Karachi, embedded in a web of multiple intersecting structures of oppression and power relations ‘encounter’, theorize, strategize and act upon understanding of empowerment and community development through an arts informed cooperative inquiry. Through the use of prose, creative writing, short stories, photo narratives, artwork and interactive discussions my participants and I begin to complicate these narratives. As a result empowerment narratives begin to appear as colliding discourses, multi-layered complex constructs, which may form unpredictable, messy and contradictory assemblages; as opposed to linear, universal, inevitable and easily understood outcomes and processes. I conclude that the insistence to complicate and situate such messy understandings in specific contexts is important for women’s movements if empowerment is to retain its strategic meaning and value in feminist theorizing.Ph