Add to ORKGLandscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmonic materials derived from his 20th century studies for two violins. Landscape III is modal and lyrical in nature. Numerous polychords and sudden harmonic shifts highlight the entire piece. The solo part (Soprano or Tenor Saxophone) is full of ornamentations and virtuoso passages. Landscape III is dedicated to the Greek saxophone virtuoso Theofilos Sotiriades
In undertaking this composition, my aims were: 1) to explore the full pitch range of the alto saxop...
Transformations was written in three versions: (1) Transformations for saxophone alone (1990); (2) ...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape V is a reworking of a 1968 composition. It employs loosely serial procedures based on a 1...
Transformations was written in three versions: (1) Transformations for saxophone alone (1990); (2) ...
The series of “Landscape” compositions describe various images of the land of the composer’s birth ...
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Reflections VIII employs quotations of materials derived from Reflections IV for soprano, flute, ha...
The Music for Two Saxophones and Orchestra is a fun piece. It denotes the thoughts of two individua...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
In undertaking this composition, my aims were: 1) to explore the full pitch range of the alto saxop...
Transformations was written in three versions: (1) Transformations for saxophone alone (1990); (2) ...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape III is a reworking of a 1970 composition of the composer. It employs thematic and harmoni...
Landscape V is a reworking of a 1968 composition. It employs loosely serial procedures based on a 1...
Transformations was written in three versions: (1) Transformations for saxophone alone (1990); (2) ...
The series of “Landscape” compositions describe various images of the land of the composer’s birth ...
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Reflections VIII employs quotations of materials derived from Reflections IV for soprano, flute, ha...
The Music for Two Saxophones and Orchestra is a fun piece. It denotes the thoughts of two individua...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
In undertaking this composition, my aims were: 1) to explore the full pitch range of the alto saxop...
Transformations was written in three versions: (1) Transformations for saxophone alone (1990); (2) ...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...