To the Three Graces (1991, flutes; 1988, clarinets) was inspired by Botticelli’s painting “La Primavera.” The piece is based on a short figure of thirds. Its format is ABA. The outer sections are based on canonic imitation and the middle employs a folk-like tune
Orchestration adapted by Ioannis SamprovalakisThe Concerto for Clarinet, Viola and Orchestra is a fu...
Poetry: Peggy BachReflections I is based on four poems from a collection by the poet Peggy Bach. Thr...
Rhapsody II (1998 revised edition) is based on the intervals of major seventh and perfect fourth. It...
The Flute Quartet was reworked from a 1991 work of the composer titled “To the Three Graces.” The c...
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Reflections VIII employs quotations of materials derived from Reflections IV for soprano, flute, ha...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...
Transformations was written in three versions: (1) the piece presented here for oboe alone, complet...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...
Fantasia for Solo Tuba was written in 1987. The work is part of a series of solo works with the sam...
“Reverie” for Trombone and Piano is based on harmonic language used in blues, and superimposed osti...
Dedications for Band (1974) is adapted for band from the composer’s earlier work, 20th Century Studi...
The Fantasias represent a series of solo works with the same title. These solo works are written in...
Orchestration adapted by Ioannis SamprovalakisThe Concerto for Clarinet, Viola and Orchestra is a fu...
Poetry: Peggy BachReflections I is based on four poems from a collection by the poet Peggy Bach. Thr...
Rhapsody II (1998 revised edition) is based on the intervals of major seventh and perfect fourth. It...
The Flute Quartet was reworked from a 1991 work of the composer titled “To the Three Graces.” The c...
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Reflections VIII employs quotations of materials derived from Reflections IV for soprano, flute, ha...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...
Transformations was written in three versions: (1) the piece presented here for oboe alone, complet...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...
Fantasia for Solo Tuba was written in 1987. The work is part of a series of solo works with the sam...
“Reverie” for Trombone and Piano is based on harmonic language used in blues, and superimposed osti...
Dedications for Band (1974) is adapted for band from the composer’s earlier work, 20th Century Studi...
The Fantasias represent a series of solo works with the same title. These solo works are written in...
Orchestration adapted by Ioannis SamprovalakisThe Concerto for Clarinet, Viola and Orchestra is a fu...
Poetry: Peggy BachReflections I is based on four poems from a collection by the poet Peggy Bach. Thr...
Rhapsody II (1998 revised edition) is based on the intervals of major seventh and perfect fourth. It...
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