Add to ORKGSonata for Solo Violin No. 1 (1968) is a serial work like most of the composer’s work from this period. The first movement is andante and lyrical. The second movement uses the effect of compound melody. The third movement is energetic and coloristic
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Arranged for string orchestraFour Folk Songs from Yugoslavia and Oh, My Farandin were arranged for s...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...
The Sonata for Violin and Piano is the most strictly twelve-tone work in the composer’s output. The...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
Dedications for Stirngs (1974) is the first movement of Dedications for Orchestra. Derived from the ...
The Fantasias represent a series of solo works with the same title. These solo works are written in...
At the Village is the first movement of the composer’s Mountains of Epirus, transcribed for the abov...
Dialogue for Violin and Double Bass is derived from the composer’s Twentieth Century Studies for Tw...
Fantasia for Solo Tuba was written in 1987. The work is part of a series of solo works with the sam...
This work was originally written for solo piano, and in the composer’s catalogue appears as his fir...
Sonata for Solo Piano (1977) was premiered by Jon Klibanoff at Carnegic Recital Hall on November 8, ...
Dedications for Band (1974) is adapted for band from the composer’s earlier work, 20th Century Studi...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Arranged for string orchestraFour Folk Songs from Yugoslavia and Oh, My Farandin were arranged for s...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...
The Sonata for Violin and Piano is the most strictly twelve-tone work in the composer’s output. The...
Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two viol...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
Dedications for Stirngs (1974) is the first movement of Dedications for Orchestra. Derived from the ...
The Fantasias represent a series of solo works with the same title. These solo works are written in...
At the Village is the first movement of the composer’s Mountains of Epirus, transcribed for the abov...
Dialogue for Violin and Double Bass is derived from the composer’s Twentieth Century Studies for Tw...
Fantasia for Solo Tuba was written in 1987. The work is part of a series of solo works with the sam...
This work was originally written for solo piano, and in the composer’s catalogue appears as his fir...
Sonata for Solo Piano (1977) was premiered by Jon Klibanoff at Carnegic Recital Hall on November 8, ...
Dedications for Band (1974) is adapted for band from the composer’s earlier work, 20th Century Studi...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
Arranged for string orchestraFour Folk Songs from Yugoslavia and Oh, My Farandin were arranged for s...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...