Dedications No. 3 is drawn from the third study of the composer’s 20th Century Studies for Two violins. The piece is characterized by the use of polytonality
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Arranged for string orchestraFour Folk Songs from Yugoslavia and Oh, My Farandin were arranged for s...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
Dedications for Band (1974) is adapted for band from the composer’s earlier work, 20th Century Studi...
Dedications for Stirngs (1974) is the first movement of Dedications for Orchestra. Derived from the ...
Dialogue for Violin and Double Bass is derived from the composer’s Twentieth Century Studies for Tw...
Sonata for Solo Violin No. 1 (1968) is a serial work like most of the composer’s work from this peri...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
The Sonata for Violin and Piano is the most strictly twelve-tone work in the composer’s output. The...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
At the Village is the first movement of the composer’s Mountains of Epirus, transcribed for the abov...
Reflections VIII employs quotations of materials derived from Reflections IV for soprano, flute, ha...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...
This work was originally written for solo piano, and in the composer’s catalogue appears as his fir...
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Arranged for string orchestraFour Folk Songs from Yugoslavia and Oh, My Farandin were arranged for s...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
Dedications for Band (1974) is adapted for band from the composer’s earlier work, 20th Century Studi...
Dedications for Stirngs (1974) is the first movement of Dedications for Orchestra. Derived from the ...
Dialogue for Violin and Double Bass is derived from the composer’s Twentieth Century Studies for Tw...
Sonata for Solo Violin No. 1 (1968) is a serial work like most of the composer’s work from this peri...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
The Sonata for Violin and Piano is the most strictly twelve-tone work in the composer’s output. The...
Trio No. 4 is a revised and expanded recomposition of the composer’s earlier piano sonata. Its harm...
At the Village is the first movement of the composer’s Mountains of Epirus, transcribed for the abov...
Reflections VIII employs quotations of materials derived from Reflections IV for soprano, flute, ha...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
“Reverie” for oboe and piano is based on harmonic language used in blues, and superimposed ostinato...
This work was originally written for solo piano, and in the composer’s catalogue appears as his fir...
Trio No. 3 (1995, clarinet; 1998, alto sax) is based on a folk-like modal tune that highlights the c...
Arranged for string orchestraFour Folk Songs from Yugoslavia and Oh, My Farandin were arranged for s...
The Concerto for Violin was written in two versions--piano and orchestra--and completed in 1994. “Pa...
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