The article examines the use of music in novelist Thomas Hardy's writings of the 1890s as well as the way it operates unconsciously. He explores how the relationship between the ideal and the real can be identified in Hardy's use of music in the poem "The Darkling Thrush," how music is described in a way that invokes unconscious activities of thought and body, and the use of music in some of Hardy's other poems. He comments that music is often the element that provokes inklings of community
An analysis of Gerald Finzi and others' musical settings of poems by Thomas Hardy
This study extends the critical discussion on nineteenth-century aesthetics to include music, a rare...
The article considers the problem of interaction between word and music in Aldous Huxley’s novel “Po...
The article examines the use of music in novelist Thomas Hardy's writings of the 1890s as well as th...
This book studies the ways Hardy writes about music, and argues that this focus allows for a close a...
This thesis is a report on knowledge gained and is primarily intended as a reference tool for future...
John Hughes explores Hardy's claim that his art sought to intensify the expression of things through...
The article compares Thomas Hardy's "The Darkling Thrush" with Keats's "What the Thrush Said". Usual...
In The Ashgate Research Companion to Thomas Hardy, some of the most prominent Hardy specialists work...
This chapter considers listening as an organising principle in Desperate Remedies (1871), Thomas Har...
Hardy’s poems function as individual but sustained thought acts, enabling him to emphasise moods tha...
Thomas Hardy's elegy to A.C. Swinburne, composed in 1910 shortly after his death, points to a poetic...
The Introduction shows that scholars disagree strongly about Thomas Hardy’s creative abilities as a ...
Available from British Library Document Supply Centre-DSC:DXN047904 / BLDSC - British Library Docume...
A great, deal has been written about Thanas Hardy"s philosophy and interpretation of life. Lionel Jo...
An analysis of Gerald Finzi and others' musical settings of poems by Thomas Hardy
This study extends the critical discussion on nineteenth-century aesthetics to include music, a rare...
The article considers the problem of interaction between word and music in Aldous Huxley’s novel “Po...
The article examines the use of music in novelist Thomas Hardy's writings of the 1890s as well as th...
This book studies the ways Hardy writes about music, and argues that this focus allows for a close a...
This thesis is a report on knowledge gained and is primarily intended as a reference tool for future...
John Hughes explores Hardy's claim that his art sought to intensify the expression of things through...
The article compares Thomas Hardy's "The Darkling Thrush" with Keats's "What the Thrush Said". Usual...
In The Ashgate Research Companion to Thomas Hardy, some of the most prominent Hardy specialists work...
This chapter considers listening as an organising principle in Desperate Remedies (1871), Thomas Har...
Hardy’s poems function as individual but sustained thought acts, enabling him to emphasise moods tha...
Thomas Hardy's elegy to A.C. Swinburne, composed in 1910 shortly after his death, points to a poetic...
The Introduction shows that scholars disagree strongly about Thomas Hardy’s creative abilities as a ...
Available from British Library Document Supply Centre-DSC:DXN047904 / BLDSC - British Library Docume...
A great, deal has been written about Thanas Hardy"s philosophy and interpretation of life. Lionel Jo...
An analysis of Gerald Finzi and others' musical settings of poems by Thomas Hardy
This study extends the critical discussion on nineteenth-century aesthetics to include music, a rare...
The article considers the problem of interaction between word and music in Aldous Huxley’s novel “Po...